There’s also the case that just three episodes in the series seems to have forgotten its own continuity; despite seeing his arrival last week, Georgie has seemingly forgotten the secret entrance to Adamant’s house while the man himself seems relatively au fait with most aspects of Sixties life after a comparatively brief time awake. What they don’t forget is that flashback sequence to the first episode when Adamant is knocked out as he must seemingly be each week.
The plot involves lots of people taking photos and some especially lumbering guards. Director Leonard Lewis lacks the style of his predecessors and only manages to emphasise the choreographed action rather than divert our attention from it. Thank goodness then for Gerald Harper’s assured performance which is frankly too cool for this rather dull episode.