Watched by Chris
Arnsby. John Peel: "Well hello fans. Now you might think what we've
got here is some kind of tribute to Mike Read but actually what we're
celebrating is the 20th anniversary of Top of the Pops. " David Jensen:
"And I think we really look fab gear." John Peel: "Yeah, there
is that. This is very 1984 though this. Frankie Goes To Hollywood." David
Jensen: "Take it away boys."
[35] Frankie Goes To
Hollywood: Relax. We're 38 seconds into the first Top of the Pops of 1984 and there's a lot of stuff to unpack. Let's
deal with the important stuff first. Who's been fiddling with my picture
settings?
John Peel and David Jensen are suffused with a nuclear glow.
Threads won't be shown until
September so this can't be pre-publicity. A quick trip into VLC Media Player
settings reveals a ticked box labelled Image Adjust; unticking it makes John
Peel and David Jensen 300% less lurid.
The magic of CSO is used to add a shower of glitter behind
the exploding TV screen in the opening titles. This is followed by a caption;
SPECIAL EDITION.
The presence of certain DJs normally makes it impossible for
BBC4 to repeat special editions of Top of
the Pops. The last acceptable Christmas Day show was presented by Peter
Powell in 1979, along with some bloke called Kid Jensen. BBC4 also missed out
the 1000th edition, 05/05/1983, and the Radio
1 15th anniversary special, 30/09/1982.
Michael Hurll seems more keen on celebratory back-slapping
than his predecessor Robin Nash which might explain why special editions dry up
pre-1980. Coming up later (30/08/1984) is a live edition following an Intercity
train on a speed run from London Paddington to Bristol Temple Meads. On arrival
in Bristol leading power car 43002 was named Top of the Pops. Don't bother
looking for this on BBC4 as J*mmy S*v*l* was the DJ on the train. It all sounds
a bit high concept but this sort of thing was needed to keep up national morale
in the long gap between royal weddings.
Relax is a single more notable for its absence from Top of the Pops, and the performance
here only makes the subsequent ban seem even more ridiculous. Still there's
something pleasingly circular about the first song of 1984 also being the most
controversial.