Top of the Pops 13th June 1991

 Words: Chris Arnsby

 Jakki Brambles: “Hello. Good evening. And welcome to Top of the Pops. It’s a little bit different tonight but you can still hear us in stereo on 1FM. First up, tonight’s show, we have probably the only ever artist who scored five top twenty singles off her debut album and still got dropped by her record label. You can’t keep a good woman down. Here’s Sonia.”

 [11] SONIA: ONLY FOOLS (NEVER FALL IN LOVE). “A little bit different tonight.” That sounds ominous. I’m getting “Great news for all readers inside!” vibes. It sounds like IPC is about to force Top of the Pops to merge with Roy of the Rovers.

Backrooms review

 

Sometimes you can find yourself in one of those shops whose dimensions appear to exceed the space the building occupies. I’ve been in one or two such places and as you start to move away from the hubbub of the entrance, browsing can become a solitary occupation with no other customers around. The further you go, the stranger it can seem. It is this sensation, magnified many times, that Backrooms creates finding scares in such seemingly regular things as walls, rooms, doors and even open space. The debut feature of twenty year old Kane Parsons is an impressively unsettling movie to sit through, one that will make you think twice about roaming off on your own. Like last year’s Weapons it creates an edgy mood that makes the everyday terrifying.

 Some spoilers after the break

 

Spider - Noir review

 For Nicolas Cage to commit to his first television role (apart from appearances as himself or a 1981 pilot) it had to be something special and Spider- Noir definitely is. The phrase `comic book coming to life` is often bandied about but there aren’t many instances where this seems a appropriate a description as with this series. Set in the Thirties, it side steps realism taking inspiration from the printed page and pulp novels to present an absorbing world and a fresh take on familiar material. Even if you’ve seen the Spiderman films, you haven’t seen anything quite like this.

 You can choose to watch in “true black and white” or in what is described as “True Hue Full Colour”. There’s even some guidance as to which format is best for which episodes courtesy of the online fan site Marvel Mania. I’m sure the studio wants us to watch the whole thing twice but it actually works out interestingly to switch back and forth. So, in the reviews below, I’ve noted which format I watched in. In the end, I’d say the black and white edges it making the material look so stylish and adding to its’ strangeness.

Spider Spoilers after the break...

Top of the Pops 6th June 1991

 

Words: Chris Arnsby

Mark Goodier: “Good evening and welcome to Top of the Pops, featuring the world’s most exciting chart the BBC UK Top Forty. There’s lots of variety on the show tonight from Harry Connick Jnr. to the brilliant Northside with their brand new single. This is Take Five.”

 [A quick note for posterity. As I write this, Film is Fabulous have announced the recovery of two lost Beatles performances from the 23/03/1964 edition. It’s 35mm film of them miming to Can’t Buy Me Love and You Can’t Do That; their first appearance on Top of the Pops. If you can afford it, please donate to Film is Fabulous so they can continue their good work https://filmisfabulous.org.uk/the-film-is-fabulous-trust/ ]

 

Star Wars: The Mandalorian and Groku review

 

The Star Wars Universe has expanded massively yet despite the undoubted quality of the offshoots (notably the superb Andor) they are a fairly long way from the tone of the 1977 original. Here though is a branch of the tale that indulges in exactly the same fast paced action orientated type of story that lit the fuse.  The Mandalorian and Groku hardly rests, pinwheeling from one place to another frantic to throw our unusual heroes into ever more perilous situations. What you gain from the action you do tend to lose in terms of character but this is a film that brings the fun back to big screen Star Wars.

 

Top of the Pops 23rd & 30th May 1991

 Words: Chris Arnsby

23/05/1991

 Gary Davies: “Hello. A very good evening to you and welcome to Top of the Pops. Don’t forget we’re in stereo on Radio 1FM and boy do we have a great show for you tonight. We start off with a band who’ve got a new album called The Promise which is coming out in June. They’re in the charts at number twenty with Whenever You Need Me. It’s T’Pau!”

 [20] T’PAU: WHENEVER YOU NEED ME. Apologies to flame-haired crooner Carol Decker but I wouldn’t have started this edition with this song. Then again, I’m not sure which song I would have used to start tonight’s show. This is going to be a double-bill write up because once again I find myself with little to say. Top of the Pops has hit a chart slump between the May Bank Holidays.

Soylent Green (1973)

 Fifty three years ago the events depicted in Soylent Green may have seemed far fetched yet today maybe not so much. Based loosely on Harry Harrison’s novel Make Room, Make Room (though the adaptation changes some events and has a different outcome) the 1973 film depicts population and climate change having rendered life almost impossible for many. People sleep on staircases and queue for hours for synthesised food produced by the Soylent company while everyone suffers under blistering heat twenty four hours per day. Corruption is rife and memories of life before this urban hell are fading.

 

Top of the Pops 9th and 16th May 1991

 Words: Chris Arnsby

 09/05/1991

 Gary Davies: “Hello. A very good evening to you and welcome to Top of the Pops. We’re in stereo on your twenty four hour radio station, Radio 1FM. We have a terrific programme for you tonight. And we start off with a band who are shortly going to release their first album. They’re performing the DNA Groove mix of Get The Message, over there. Electronic!”

 [8] ELECTRONIC: GET THE MESSAGE. This is new. I don’t think a band has performed a different mix of a single before. It’s an interesting idea and I can see how you might want to keep a song fresh for the audience and the performer. It’s just… this is a bit boring isn’t it. It seems very low energy and Bernard Sumner’s voice sounds very quiet in the mix. I appreciate it’s a change of direction for these write ups to start talking about music but, hasn’t this remix boiled out all the good bits of the single? Where’s the drum break gone? Why is Johnny Marr miming to a guitar that only he can hear? 4/10 guys.