Real life and fiction mesh effectively
as Marvel find a way forward after tragedy
Rather than avoid what happened in real
life the film addresses it head on having T’Challa pass in a similarly unexpected
and sudden manner leaving those closest to him struggling to deal with what
comes next. There is a funeral depicted which in the tradition of many countries it
has an element of celebration in it as well. Meanwhile Vibranium, the rare mineral
hitherto thought to have only been found in Wakanda turns out to also be found in the
undersea kingdom of Talokan. With such a resource and both being cultures previously
hidden from the world they theoretically then they should be allies but Talokan
is flexing its muscles in incidents for which Wakanda is getting the blame.
It’s a three way scenario whose escalation could threaten the world order.
Whereas the first film was dominated by
two extraordinary male performances- both from Chadwick Boseman and also
Michael B Jordan- so this sequel is anchored by two equally powerful female ones.
Angela Bassett and Letitia Wright- as T’Challa’s mother Ramonda and his sister
Shuri have to take charge at this delicate time just as Wakanada finds itself
in an awkward international position. Angela Bassett exudes calm authority but
sometimes when Ramonda is irked it will explode. Her sense of duty conflicts
with her feelings and you can see it in her face every time she is on screen. Her
speech to the United Nations and her indignation when things go awry in her own
army are powerful platforms for the actor. Yet there are those silent looks,
that sense of a character trying to contain so many conflicting emotions.
Letitia Wright’s Shuri has a lot to deal
with and is always trying to do the right thing. It's easy to see shades of T’Challa
in her responses and she seems quite impressed with the Talakan civilisation
even though she has been kidnapped by them she retains scientist’s curiosity.
Yet when matters escalate she seems about to take a similar path to Killmonger
in the first film reminding us how nuanced a character he was. Is what Shuri
really wants revenge for her everything that happened? It’s a marvellous
performance that Letitia Wright gives despite the narrative giving her a little
too much to do at times considering how many other characters are knocking
around.
Just like its predecessor this film has
an intriguing antagonist. Talokan’s leader Namor played with precision by Tenock
Huerta is pragmatic and clever. He has really thought through his methods and
delivers on his threats yet is not without charm and diplomatic skills when required.
The Talokans prove to be a more formidable opponent than expected yet its aquatic
kingdom looks beautiful, one of Marvel’s best imagined places yet.
The set up inspires some terrific action
scenes. Especially interesting are the grenades which explode with water on
impact and give a different visual than regular explosions. The Talokans ride clinging onto the side of whales
and leap out of water like salmon while much of their imagery seems derived
from ancient Mayan culture.. With wings on his feet Namor is seen as a God by
his people and for Wakanda is a difficult enemy to beat though the method they
eventually find is appropriately scientific rather than military.
Of course the name of this film is Black Panther and eventually that superhero returns in the form of Shuri, something taken from the comics but the road to that development is an interesting one. If I had a criticism its that there are are too many characters at times and the ending, while satisfactory from a visual point of view, seems a little one note compared to the more intelligent arguments that had been bubbling up during the rest of the film. Having established just how keenly intelligent Namor is I’m not convinced he would fall for such a trap as the one they lay here.
We are all running out of ways to say
this is another great Marvel film but it really is and stay for the end credits
because the extra scene in the middle of them is genuinely a part of this film
rather than the usual call forward to something else.
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