A blog reviewing new and old tv, film and other stuff / Website: www.johnconnorswriter.com / Instagram: johnconnors100 / X (aka Twitter) @JohnConnors100 / See also thiswayupzine2.blogspot.com
Words: Chris Arnsby
Arriving amidst a
barrage of negative news stories which have now spread from online griping to
traditional media `Wish World` could be the penultimate episode of this
iteration of Doctor Who. In various order the show will be cancelled, Disney
will not fund any more, Ncuti Gatwa has left / been sacked/ is too woke and the show
could be on hiatus for a year / three years/ indefinitely. Some or none of this
may be true. Which is kind of an appropriate backdrop for this episode.
Warning- this film
contains wild peril! Yes, it’s Tom Cruise back for the eighth- and apparently
final- impossible mission. Prepare for incredulity to be generated as Tom
engages in a series of ludicrously risky quests to avoid the world ending. It
is three hours of tense seat edge scenarios which of course any ordinary person
would not be able to complete. Such ingredients combine to create a relentless
rollercoaster which only stops for breath so it can tell us what the jiggins is
going on.
To be honest, I had been expecting this episode to be the season’s dud but it just goes to show that you can never predict what Doctor Who might do. From a spectacular opening through what is at times a surprisingly serious story yet one that also has its frivolous moments, `The Interstellar Song Contest` is like one of those unfavoured Eurovision entries that ends up winning the whole thing.
Spoilers past this
point
Some Star Wars aficionados may not care for the careful pace, contemporary allusions or darker elements of Andor; just looking at those who complained about the lengthy sequence of Mon Mothma dancing is enough to tell you that. Maybe the series is too subtle for those who like Star Wars to literally be about battles with only the basic character templates that the films had. Andor is a work of art, a crafted, thoughtful achievement whose appeal will surely last a long, long time. These final three episode shunt the story right up to just before Rogue One and show the variety and the class the series has.
Spoilers after the break
Popera triumphs again!!
Some thoughts on the show in general and notes made while watching about each song. Last year’s winner was the first time my favourite song in the Final actually won though with Nemo singing opera while spinning on top of a metal dias and referencing ammonites how could it not win? Plus they hitch hiked to the event!! It sort of makes up for `Cha Cha Cha` not winning in 2023 which as we all know it should have done. So maybe I’m getting better at predicting these. The overall standard this year is higher than average and I genuinely could not even hazard a guess as to who would win though i had my faves.
Words: Chris Arnsby
10/05/1990
It’s refreshing to see Doctor
Who narratively venturing much more beyond England these days -
even if it’s still filmed in the UK - and this story set in Nigeria finds writer
Inua Ellams bringing a tale of friendship, stories, and ambition to life mostly
inside a small barber’s shop. This incongruous setting becomes the heart of an
intriguing and ultimately uplifting story about the value both of friendship and of fiction. That it comes in a week when thee have been news stories about us reading less seems apt though stories as this episode shows can be told just as effectively as they can be read. The more Doctors and
eras we run through the further away the classic series feels yet this episode
seems to be able to bring it all together with a strong sense of both the new
and the old. It does need to be watched twice- or at least with more attention
than I clearly gave it on first viewing- because its deceptively light and has
an antagonist whose performance is full of nuance.
Ghorman is the focus of
these six episodes set a further year on from the opening trio. Episode four
`Ever Heard of Ghorman?` is a well-constructed narrative presenting multiple
sides of the situation. So, we have Syril ensconced in a bureaucratic job but
he’s really here to help stir up rebellion thus justifying later use of force.
Back on Coruscant, Andor and Bix are living in a very dingy looking apartment
but he is destined to be sent to Ghorman by the episode’s end by Luthen whose
found out about the focus on the planet courtesy of the undercover supervisor
Yung. Mon Mothma’s efforts to stop a bill that will give larger powers to the
ISB is hampered by paranoia over Ghorman.
Words:
Chris Arnsby
Simon Mayo: “Welcome to the programme. A local election edition of the programme. Music to elect your councillor to. We'll start with a song that was a hit in 1969 for a band called Vanity Fair. They disappeared down the plug hole of rock and roll but they left behind an important song. Hitchin a Ride, it's a hit for Sinitta.”
Speaking
of poor starts, here's Sinitta. I was going to say this seemed like a rerun of
her last performance, but it turned out I was thinking of Sonia and Counting
Every Minute, from 19/04/1990.
Pete McTighe returns to
the series after penning two stories for Chris Chibnall’s iteration and it’s
not surprising that he’s tapping directly into wider contemporary concerns as
he did in his previous stories. Whereas, especially with `Kerblam! ` there was
some doubt in those as to the message (was he supporting the likes of Amazon or
not?) this episode leaves little doubt.
As articulated through both sides of the argument this is an angry script even
if it is initially seeming like a rom com. It pivots on a superb mid episode
twist which is amongst the best the series has done- think `Utopia` here albeit
in an earthbound context. Its also another quite meta episode- a character
really does comment on how the special effects have improved.
Spoilers past this
point
Thunderbolts* is a joy. Despite
the subject matter touching on some serious issues it’s actually a lot of fun
to watch with performances pitched just right and a healthy sense of
perspective. Though it does broadly follow the Marvel template the film is also
adept enough to find some different angles to tell that story making it feel
fresh. Best of all Thunderbolts* manages to take the ever- lengthening
lore to new places without getting too weighted down by that backstory finding
enough new ground to suggest that there’s still legs in this big screen superhero
lark yet.