Well I’m not sure I get the new one
actually. So child imagines monster under the bed, then becomes friends with
it, then imagines he’s going to get it for Xmas and then gets something else
and he’s fine with that. Mmm, its not a patch on that penguin one nor as
playful as last year’s bouncing dog one. I sense a sixth album syndrome kicking
in where expectation outweighs anything that anyone could possibly produce. I
can also visualise a more surreal version where it turns out that this is all
in the head of the monster and the last frame is of him opening a present in
which there is a model of the child. Or is that too creepy for Xmas?
The arrival of the John Lewis
Xmas advert is now the biggest signifier of the festive season. That used to be
Xmas decorations but once shops started putting them up in September everyone
did their best to ignore them. However when the John Lewis Xmas advert drops
you know it is The Time. The time that is to wrap up your normal life and
prepare to spend six weeks in a tinsel lined alternative universe where
everyone should buy as much as they can. Or am I misinterpreting the whole
thing?
Though they seem recent these
hallmark adverts have been going for a decade though initially they eschewed
both sentimentality and movie signatures by just being clever ads. The first
one in 2007 was called `Shadows`. It was two years later that the more
emotional ads began with `Sweet Child O’Mine` in which we were encouraged to “remember
how Xmas used to feel” by watching lots of shots of kids opening presents until
in the last scene a girl unwraps a camera and becomes a woman. The first one I
remember people talking about was 2010’s`A Tribute to Givers` showing how
people secretly prepare their gifts over a cover version of Elton John’s `Your
Song` by Ellie Goulding.
The most effective one artistically
was probably 2011’s `The Long Wait` which showed a child anxiously waiting for
Xmas Day, counting it down and we all assumed it was because he couldn’t wait
for his presents but actually it was because he was waiting to give his present
to his parents. This was a genuinely clever and original work which may well be
wishful thinking on behalf of adults but let’s remember its adults the ads are
aimed at.
Rather like an artist who has
enjoyed enormous success and reached a commercial and artistic apogee, `The
Long Wait` was a tricky one to follow and 2012’s `The Journey` tapped into
everyone’s love of `The Snowman` while `The Bear and the Hare` was animals. The
human touch came back with the other undisputed classic 2014’s `Monty the
Penguin`. This is a delightful ad about how children love toys and how this
penguin is real to this child. Aided by some excellent effects – and a very funny
moment when he holds out a fish at the dinner table and Monty jumps up to take
it - the final reveal that he’s bought a companion penguin is just lovely. Yes
that one even got to me. Anyone who’s been a child (i.e everyone) could surely
relate and it is the most popular of the ads. Since then we’ve had the man on
the Moon which raised questions about how he got there and last year’s rather low
key - though technically excellent- trampolining pets.
(Above The classic 2014 advert `Monty the Penguin`)
The question about this landmark advert
now is whether it actually achieves its purpose which is to entice more
customers to shop at John Lewis. I’m not sure it does because here I am-
alongside thousands of others today- online talking about the aesthetics and
content of the advert yet not about the store itself. Is there anyone who sees
one of these ads and immediately decides they must go and shop at John Lewis as
soon as possible? As if realising this may be the case, this year’s ad has a
toy of the featured monster to buy in store, an item that unintentionally
spoilered the ad a couple of days ago when it showed up on the shelves of some
branches. I wonder if the toy came first – or was it the ad?
The ads are all beautifully
filmed and that makes them worthwhile discussing as art. Other big store Xmas
adverts are of course available but lack something. Even at their least
convincing – and I don’t think this year’s will go down as a classic- the John Lewis ones are
still very strong examples of the artform and in some cases excellent. Mmm,
perhaps I will pop into John Lewis tomorrow…*
*Other retailers are available.
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