A
refreshing change from the superhero and special effects driven films
dominating 2016’s cinemas, this sequel about a team of magicians who use their
skills to expose corruption is just as intriguing as the first film. It teases
its characters with twists and turns and also its viewers by explaining some
but not all of the tricks we see. So for example a scene in which a character
appears to have control over the rain is then explained to the audience
watching as being a trick involving lights and large fans. Then the character
is seen to fall backwards into a puddle and all that is left is his coat. So
how did he do that? We never find out. This literal and conceptual sleight of
hand means NYSM2 maintains the momentum of it’s predecessor.
We’re 18
months past the events of the first film and Thaddeus Bradley is incarcerated
(rather snugly as it turns out) apparently determined to have his revenge on
CIA mole Dylan Rhodes who is working for the group of magicians known as the
Horsemen. They are scattered and in hiding but soon have a new mission that
turns out to be nowhere near as easy as they imagined especially as a new
antagonist is prone to playing a similar kind of trick on them. Walter Mabry is
played by Daniel Radcliffe though thankfully the narrative declines to
acknowledge the actor’s previous involvement with a different sort of magic. As
the plot builds a cat and mouse game unfolds reaching a climax in London on New
Year’s Eve.
Obviously
the risk of this kind of movie is that is simply becomes too clever for its own
good and the viewer gets left behind. While it is sometimes difficult to see
what is at stake (it’s all businesses and distant money) and you find yourself
trying to second guess the next trick, the joy of the production lies in its
sense of fun. Whenever it threatens to get too clever, there’s a humorous
moment or a fun aside that brings it back down.
New
Horseman Lula played by Lizzy Caplan is a sparky addition to the cast adding an
irreverence to proceedings while Jesse Eisenberg’s Daniel Atlas remains the
sort of role the actor fits so well. Mark Ruffalo’s Rhodes is such a slippery
character but the actor works hard to convey his humanity. There are plenty of
surprises and the bold use of large locations peopled with hundreds of extras
pays dividends. Woody Harrelson has fun too with a dual role including McKinney’s
eccentric frizzy haired twin.
Inevitably it can’t quite match the freshness of the first film but there is much to enjoy in a film that has plenty of neat tricks to pull and has more to offer than exploding buildings and fights.
Inevitably it can’t quite match the freshness of the first film but there is much to enjoy in a film that has plenty of neat tricks to pull and has more to offer than exploding buildings and fights.
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