Lanterns episodes 1 - 4 review

 

Episode 1 Pilot

The opening episode starts off in understated style, playing with Western tropes aplenty. The incestuous small town, bar room fights, desolate geography – these aspects and more come into play as Lanterns establishes itself as one of those series that tries to make superpowers more down to earth and relatable. The mood is often similar to something like Wonder Man except the humour is more arch, the characters harder to like. This episode is very much about establishing a sense of place and there’s more than enough to sink your teeth into whether not you’ve read the comics.

Top of the Pops 12 September 1991

 Words: Chris Arnsby

Simon Mayo: “Hello. Good evening. Welcome to Top of the Pops. Can I say, first of all, if you got your tickets for tonight’s show through Keith Prowse, can you, you can watch this at 7.30, but cheer and applaud louder because you are watching for free. Seem fair enough to me. We’re gonna start at number twenty eight with Bizarre Inc and this is Such A Feeling. Their first time on the show.”

 [28] BIZARRE INC: SUCH A FEELING. Simon Mayo gabbles his introduction. It’s weird. He talks so quickly he seems actually nervous. Maybe this is take three. Maybe he’s struggling to remember his convoluted satirical jab at the Keith Prowse ticket agency, who went into administration on Monday 09/09/1991. I’m not really even sure what his joke is, it’s lost in the word salad.

It doesn’t really matter because this is a great performance. Top of the Pops is getting better at generating visual interest from a few blokes with synthesisers. In this case the three blokes with synthesisers are at the back of the main stage, behind two dancers who are raised on podiums about four feet off stage level. This means they tower over the crowd. Under both podiums are squares of four monitors, at the back of the stage are two more piles of monitors, each a stack of three, each playing the video.

Brewster McCloud (1970)

 

Considering its place in the timeline of Robert Altman’s career, Brewster McCloud is a comparatively overlooked film. It was his next movie after MASH and similarly underperformed initially though its curiously vague publicity (“a different kind of film”) and odd poster probably didn’t help. Its not an easily pigeonholed movie and so little talked about that I only discovered it when I was writing about Harold and Maude, checking on Bud Cort’s other credits. The film has never really enjoyed a re-assessed critical appreciation while Altman’s subsequent illustrious career left Brewster McCloud as grounded as its protagonist ends up. While it never quite rises to the heights of the director’s best -known work it is interesting to view it from the considerable distance of fifty -six years as a bold endeavour that never quite fits any category.  In some ways its hard to see how it got made as it refuses to be confined.  Is it a murder mystery? Is it a comedy? Is it a fantastical allegory? Watching the movie does not necessarily answer these questions but I’m sure it created much post cinema debate in 1970. It’s not that it’s difficult to understand, more that the narrative chooses to be obtuse and vague, leaving it to the viewer to make up their mind.

Top of the Pops 6th September 1991

 Words: Chris Arnsby

Jakki Brambles: “Hello, good evening, and welcome along to Top of the Pops. The nation’s finest music show. Tonight we’re checking out the Top Forty Breakers looking at what’s heading up the charts. Also, we have five acts in the studio. The first of which are at number eight. They’re from Liverpool, will you please welcome in the studio Oceanic.”

 [8] OCEANIC: INSANITY. Barely two weeks ago I suggested that Oceanic would have made a better opening act than Midge Ure. Nice of Stanley Appel to take my advice. Let’s see what he does with them.

Top of the Pops 29th August 1991

 Words: Chris Arnsby

Mark Goodier: “Hi. Good evening and welcome to Top of the Pops. We have an essential show tonight with some performances by EMF, and the Farm, and Arnee and the Terminaters. And we start with a live rap by Marky Mark and the Funky Bunch with Loletta Holloway. This is a new entry Good Vibrations.”

 [29] MARKY MARK & THE FUNKY BUNCH Featuring LOLETTA HOLLOWAY: GOOD VIBRATIONS. I’m over 50. Marky Mark and the Funky Bunch are basically precision engineered to make me hate them. Stupid hat. Check. Stupid trousers. Stupid jacket. Check. Shakes walking stick at the screen. Boo! Get these kids off my TV set.

Coyote vs. Acme review

 

The endless attempts made by the perpetually hungry Wile E Coyote to catch a speedy Road Runner entertained generations in classic cartoons with each of the former’s schemes foiled one way or another proving perhaps that he wasn’t as wily as his name suggested. Or was it someone else’s fault? Often his failed attempts came as a result of misfiring equipment, always bought from a generic company named Acme and this film runs with the tremendous idea of him suing that company over these malfunctions. Gleefully incorporating countless cartoon moments mixed with live action, the results are impressive and funny.

 

Top of the Pops 22nd August 1991

 Words: Chris Arnsby

Bruno Brookes: “Good evening and welcome to Top of the Pops. On the show tonight, Jason Donovan, Martika, Zoe, and also this fellow who’s locked himself away in a studio for the last couple of years making a terrific album and also sporting a hit single. Here in the Top of the Pops studio the one and only Midge Ure.”

 [19] MIDGE URE: COLD, COLD HEART. Three drummers? Do you think maybe that’s too much percussion? Midge Ure doesn’t. During the drum break, a handheld camera operator runs down the line of drummers to make sure we get a good look at them. Then the picture cuts to a Bodhrán being held by Midge Ure, and then the camera pulls back to reveal the guitarist standing next to Midge Ure also has a Bodhrán, and the keyboard player has a Bodhrán. Bodhráns for everyone!

The End of Oak Street review

 

In the Eighties, when this movie is set, there was a phrase that said: “don’t bore us, get to the chorus” referring to those songs with short verses and memorable choruses and it is this sort of philosophy that The End of Oak Street follows. With as little a preamble as you need- though one that contains quite a lot of material - David Robert Mitchell’s film soon cuts to the chases and offers exciting set pieces and plenty of nerve-jangling action. Yes, it does share some dino DNA with the likes of successive Jurassic World films and also the tv show Primeval but has enough ingredients of its own to provide memorable moments and rekindle that feeling you would get watching a film as a kid. Come on, its dinosaurs running wild in Eighties America! How can you not enjoy that?

Raaarrrrghh. Spoilers lurk in this review...

 

Our Hero, Balthazar review

This film has had quite a strong online promotional presence and like many when I first saw one of the Bboy Malone videos pop up on YouTube I thought it was real; some kid literally crying about the state of the world and its not as unlikely a sight as you’d think. It was only when they kept appearing and its subject seemed equally distressed about all kinds of things that I twigged it was for the film. These videos and clips have got crazier – Balthazar is the first ethical feminist to become pregnant! – yet in terms of the film they may be giving a slightly misleading impression. As a campaign it worked though as it led me to the film itself yet while Our Hero, Balthazar has some dark humour it’s an intriguing look at characters that society- whether at the top or near the bottom- overlooks.

Top of the Pops 15th August 1991

 Words: Chris Arnsby

Gary Davies: “Hello. Very good evening to you. Welcome to a hot summer night’s edition of Top of the Pops and of course we are in stereo on Radio 1FM. In the studio tonight we have Right Said Fred, and Sophie Lawrence, and PM Dawn, and we start off with the second highest new entry in the charts. At seventeen, Level 42, Guaranteed.”

 [17] LEVEL 42: GUARANTEED. Level 42 have been away. They last appeared briefly on Top of the Pops in 1989 when their song Tracie was a breaker on the 26/01/1989 edition. When did they last see the inside of the Top of the Pops studio? That would be 01/09/1988 when they performed Heaven In Your Hands and even on that occasion Mark Goodier described how they “have been away for a long time”.

Grand Designs!

 

I wanted to recommend two artists whose work now features prominently in my house which I’ve recently been having redecorated room by room. One of the aspects I really wanted to freshen up were the wall hanging pictures. Previously there was an assortment of various images of different vintages whereas I wanted to have something more in line with the new furnishings. And that’s how I found two artists whose work I think is excellent and wanted to do a little to promote it in case you, too, were pondering over what art to put on your walls.

Top of the Pops 8th August 1991

 Words: Chris Arnsby

 Nicky Campbell: “Oh, very good to see you. Thanks for joining us. Listen, tonight’s show is wonderful. Rock and roll up for the greatest pop show on Earth, Top of the Pops and prepare to marvel at the line up tonight. Truly incredible. Let’s start off with three fun loving guys from Amityville. The phenomenal De La Soul.”

 [22] DE LA SOUL: A ROLLER SKATING JAM NAMED ‘SATURDAYS’. Henry Barber is still doing the Lighting and it looks great. Lots of colour. Lots of studio atmosphere. Good use of the hand held camera operators by Stanley Appel. Yes, this is a really positive start to the show. I could do without Nicky Campbell quoting the Zip-a-de-doo-dah lyric at the end. When he does it, it’s not cool.

Top of the Pops 25th July & 1st August 1991

 Words: Chris Arnsby

 25/07/1991

 Mark Goodier: “Hi. Good evening. Welcome to the UK’s number one hit music show, Top of the Pops with stereo sound on Radio 1FM. We’ve got Danni Minogue on tonight, we have Cher, we also have OMD, and we start with the brilliant Shamen. Rapping, scratchin’, and singin’ live on Move Any Mountain.”

 [9] THE SHAMEN: MOVE ANY MOUNTAIN. It’s all a bit flat. Stanley Appel directs Vision Mixer Ben Fuller to mostly bounce between static camera angles when a song like this needs energy and oomph. It needs panning cameras and constantly moving handheld camera shots. It needs more dynamic lighting and atmosphere. Where are the strobes and the spotlights and the smoke? Why are we limited to flashing banks of orange and blue lights along the studio roof? Basically, why is this all a bit boring? It should be brilliant but somehow the direction and staging sucks away all the life.

Move Any Mountain is a great single. This is three minutes of a bunch of blokes doing their best but being offered no support. It’s as if Stanley Appel expects the viewer to be so impressed by a live vocal that no other work is required. It’s like offering someone a cake and dumping eggs, flour, milk, and sugar on the table. Additional work is required.

Spider-Man - Brand New Day review

 

Brand New Day, as the title attests is a relatively fresh start. What you need to know is neatly summed up at the time you need to know it and even though most of the main characters are not new, they feel fresh again. People are saying this is the best of the current era of Spiderman films which may be true though we should acknowledge the excellence of the previous three has created the platform on which this one can triumph. Brand New Day is a joyride to experience and by a comfortable distance the best new film I’ve seen this year so far.

 Some Spidey Spoilers contained in this review....

The Odyssey review

 You never really know what you’re going to get with a Christopher Nolan film. I remember wondering before both Dunkirk how he could find a new way to present a familiar story. With Oppenheimer I imagined it wouldn’t be very exciting yet it was even though it was mostly conversational. As for Inception and Tenet, they are strange out there movies that work even though they shouldn’t. The Odyssey is I suppose the original story, or at least one of the first great tales. Its credited to Homer though he may just have been the first person to write down a story that, like many of that time, were passed on by word of mouth. Can Christopher Nolan reinvigorate yet remain true to such a venerable work? Spoiler- yes!

 

Heartstopper Forever review

It’s only been four years yet it seems longer since we first met Nick Nelson and Charlie Spring tentatively starting their relationship and I would imagine only those who watched the previous three seasons will check this finale. What's really changed though in that time is that it feels like the accepting atmosphere in which a series like this could thrive has been challenged.  While even some of its loyal audience have to admit that Heartstopper has sometimes been the frothiest confection that may not even fully represent the generation it is supposed to, the fact that it is being made at all is important in itself. However, that does mean the show has had something of a free pass in that aspects that would have received criticism had they appeared in other series were overlooked. On the flip side it has been a welcome change to have a drama unafraid of brightness and joy rather than the seemingly endless parade of dark thrillers that seem to make a lot of the running these days. This feature length conclusion closes off the story in a satisfactory though not outstanding manner. 

Spoilers after the break...

 

Top of the Pops 18th July 1991

 Words: Chris Arnsby

Jakki Brambles: “Hello, good evening and welcome along to Top of the Pops on BBC1 and you can hear us in stereo on Radio 1FM. Well, it’s an all star line up on tonight’s show. We’re starting off with a lady who’s knocking ‘em dead on both sides of the Atlantic. Will you welcome, in the studio, Cathy Dennis.”

 [28] CATHY DENNIS: JUST ANOTHER DREAM. A very high concept start to this performance. Kathy Dennis stands singing while dancers wearing black raincoats and Fedoras turn and pretend to take photos of her. It’s all terribly symbolic and I’m sure its a marvellous metaphor for something or other but I don’t know what. Kathy doesn’t seem to be disappointed by the attention and why should she when she’s wearing a one-piece hot-pants suit covered in sequins. Fortunately for everyone concerned the dancers disrobe to reveal underneath their raincoats they are all wearing neon-coloured bikini tops and hot pants. 

Why don’t I have dreams like this? I get nightmares about rats attacking me on the bog*.

*Curse you, James Herbert!

Dating Amber (2020)

 

This overlooked, light hearted film set in 1995 is about two closeted Irish teenagers, Eddie and Amber. Tired of the homophobic jibes they have to endure, they conjure up a plan to pretend to be a straight couple. While initially this eases the pressures on them and also means they are meeting familial expectations it leads to other more complex problems. David Freyne’s delightful film turns what could be a serious topic into something altogether more comedic with some pin sharp observations and two characters whom the viewer soon gets to like. In a way it’s a romcom without the `rom` as the duo’s pretence leads to each of them discovering more about themselves.

 

Top of the Pops 11th July 1991

 Words: Chris Arnsby

Bruno Brookes: “Good evening. Welcome to another sizzling Top of the Pops. All hot stuff on the show tonight. Later on we’ve got Bryan Adams for you. INXS, Billy Bragg, and Bros to name a few. First of all at number twenty eight is D.J.H. featuring Stefy. You need it. And you love it!”

 [28] D.J.H. featuring STEFY: I LIKE IT. The shape of the new-look Top of the Pops is being assembled in the background. We’ve had Michael Hurll’s changes to the way the charts are presented. And, as a side effect of this, the interstitial graphics for the Top 40, Top 10, and Breakers have been retired. Oh, and the Top 5 Albums countdown has been quietly dropped as well. There’s also the green screen and separating the host from the audience.

Enola Holmes 3 review

 

At the beginning of this third instalment of the adventures of Sherlock Holmes’ smart sister, Enola is late, a nod perhaps to the tardy arrival of the film. It’s more than three and a half years since the second in the series so you’d be forgiven for forgetting what happened. Luckily anything you need to know is folded into this brisk, energetic package mostly set in Malta rather than England. The location adds a new character to the tale which may not be as knotty as the cases dealt with by Enola’s older brother but is exciting and involving enough.

 Spoilers after the break