Mrs Coulter has been so
duplicitous up till now that you tend
not to believe a word she says so her seemingly heartfelt speech into his
episode about the bond between a mother and child may or may not be as sincere
as it seems. It’s the centrepiece of an absorbing episode which advances the
plot slowly but with increasing tension.
Spoilers after the, ahem, break...
Having been a series of
loosely linked events till now the overall story seems to be cooking well, coalescing
into a war against the Authority. James McAvoy really suits the role of the
determined strategist / scientist Asriel. When a bad Angel is captured we see
just how far Asriel is prepared to go in pursuit of his aim. He’s not a hero in traditional mode- that
role is more Lyra or Will- but a committed man prepared to make the hard
decisions. Maybe after seeing off the Authorty he could become Prime Minister!
On the other hand you should not forget- referenced in this episode- that
Asriel was responsible for the death of Roger, a crime that continues to haunt
the story and Lyra, understandably so.
The enemy as such seems somewhat multiple - the Magisterium, the Authority, the Regent. While such a moving target can seem vague the script is peppered with warnings and examples of misrule to ensure the viewer is on side as well. There are always underlying (and some not so underlying) targets in Phillip Pullman’s work and this episode references the banning of reading and writing for girls, something in the news this very week in Afghanistan. So just because there’s a giant talking bear and people moving between parallel worlds doesn't mean this story is not grounded in reality. Lest we forget this is a tale against organised religion as opposed to belief – people get these mixed up. Real history is littered with religious organisations who exploit ordinary people’s acquiescence to a mythology they they created and if you’re looking for a way to identify with the struggle here just imagine one of them.
And who should turn up
this week but Mary Malone last seen slipping between worlds to follow her
curiosity as she looks for Dust. I feel like she needs a separate series to pursue her dimensional
travelling, possibly solving mysteries along the way then moving on like those
70s series Kung Fu or The Incredible Hulk. Simone Kirby brings a human touch
to a tale which can often be very serious minded though she doesn’t seem to get
a lot to do really. Will, meanwhile, is working to his own agenda. He seems to
be a character for whom fewer lines are meant to say more but we could do with
a a little more of a reminder as to what he’s up to.
That speech mentioned
earlier is one of several that make this episode, which is really a sort of
part two to the first one, come alive with a crackling momentum. Mrs C talks of
the bond between a parent and a child which may change but never goes away. The
episode also sees some of its characters being asked what they would be willing
to sacrifice to succeed. These are big questions so it’s refreshing sometimes
to have a sequence where a giant bear plays pinball with a bunch of Magisterium
soldiers!
Once again it is the
scenes featuring Ruth Wilson which really impress as the actor takes shifting
emotional approaches to embody this slippery character, a steeliness under a
seemingly calm exterior. Jamie Ward’s Father Gomez seems to be her equal
though as he clearly knows what she is trying to keep from him so it’s almost
comical that in the end she resorts to hitting him over the head with a piece
of rock!
That’s not the biggest
shock though- after Mrs C unsettles Will by reminding him of his mother just as
he’s trying to open a portal the subtle knife rather unsubtly shatters into pieces.
I was wondering why they chose the title `The Break` for the episode though it
could just as easily refer to the death of the angel Baruch and the bewilderment
felt by his partner Balthalmos Or indeed
the separation of mother and child referred to by Mrs Coulter.
Will is a clever character
on the page and this episode shows that more than perhaps the series often does
and he can see through much of Mrs C’s trickery. Yet Marisa is not easily
out-guiled and will do anything to get what she wants even having her own
demon bash her on the head to make it look like Will did it. There’s some
poetic balance I suppose that she does the same with Gomez. The saddest moment is Will’s expression after he’s shot a soldier.
It’s a look of utter bewilderment at what this situation has made him do. And
he’s probably still thinking about the knife breaking. Maybe he doesn’t always
need words.
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