As
someone who has written several novels for Young Adult readers – albeit self
published- I was interested to read extracts from the report `Bias in Britain` highlighted
in The Guardian this week. In summary books were identified as one of ten areas
named in which under representation of ethnic
minority characters was an issue. Children’s books were specifically mentioned-
in 2017 only 4% of the 9,115 children’s books published that year featured any
minority ethnic characters. Where such characters do appear they are often
either in supporting roles or running a storyline that includes cliched
problems like guns or drugs or poverty. Incidences where they are the lead
character in a children’s novel are said to be rare. So far at least the report
does not seem to know why this is the case and I’m sure no individual writer
has an explanation, least of all me. However it is an interesting topic and
something that has been in my mind when writing my books. I can only offer my
perspective.
Firstly
a little context about what I write and where it comes from, My novels are
aimed generally at the 12-15 year old market commonly referred to as Young
Adults (YA). The novels have a fantasy theme and are set in the present day but
mostly in the countryside. All of the central characters are white. When I was
drafting the plots and characters for these- now about ten years ago- I did
consider that in theory the main character who moves from London to the village
could be any gender or race. However as I was going to inhabit their head in
some first person narrative and thoughts I didn’t think I would be able to do
so as effectively if I made the character either a girl or from a minority. In
terms of the other characters at the time- and I still believe this – I simply
did not imagine a small county village would have any non white people living
in it.
All
of which is not to say there are no ethnic minority characters in the books. I
suppose I fall into that category where they are supporting characters so far.
In the second book there was a black family who were deeply involved in the
plot; the three of them were central characters albeit only in that book. I
don’t want to give away the plot but I don’t think they did fall into any of
the cliches described in the report. The third book did also feature two black
characters- one of whom played a large part, the other was an adult character
who appeared intermittently. She was, incidentally, a glaciologist so I don’t
think I was doing any stereotyping there.
Now
since I started these books issues of representation have become front and
centre of all creative areas. In terms of my creative side I have had to stop
and think about the topic and ponder how it could affect what I write. Is
changing the race of a character simply a cheap gesture towards representation?
Should a writer feel obliged to create ethnic minority characters or even
change the race of a character because it’s expected? Or is the real issue a
lack of ethnic minority writers who can draw on their own experiences? You’ll
notice these are questions because I don’t have an answer.
Also
when we talk about representation what do we mean? I think there are some
people who feel every creative fiction- whether a book, film or tv series-
should include some sort of representation quota and it sometimes feels
glaringly obvious when this happens. I think it has to come from the story. If
I were writing a story set in an inner city locale of course it would include a much wider range
of ethnic minorities though I’m unlikely to write such a book as I don’t
personally have that experience. Ok so I’m not a glaciologist either but you
can find out the rudiments of a job online. You can’t Google to discover what
growing up in a different culture is like to satisfy the depth of a character. Anyone
from that background would call you out for it, they’d spot the fakery right
away.
Two
more points. I do have a main character being introduced in later books who is
black and from London. It will probably look like I decided to add her recently
but she has been there from the start over a decade ago. Second is that the
reason I can publish books is the technology that now allows anyone to do the
same (look at that figure above of vast number of kid’s books published last
year) so it is really up to people who feel they are not represented to do so
themselves. I don’t know why there are seemingly so few ethnic minority people
writing but the opportunity is there. They will tell stories the likes of I
could not.
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