Guest Post by Chris Arnsby
BBC4: Top of the Pops 1979 13/12/79
Mike Read, "Well the week's flown past. It's Top of
the Pops again, and here's David Bowie to sing over the chart run
down."
The 1979 Top of the Pops repeats stutter to an end.
Two December shows are unrepeatable; a regular edition for 20/12/79 presented
by J**** S*****; and a post-Christmas special from 27/12/79 with D*v* L**
Tr*v*s and Mike Read. The Christmas Day special presented by Peter Powell and
Kid Jensen goes out on BBC4 on Christmas Eve. Looking over the skipped editions
reveals no significant omissions although we do miss a chance to see Legs &
Co dancing to Mike Oldfield's Blue Peter theme. If you must see it, it's
on Youtube. They're dressed as sexy sailors, natch. Oh, while you're there
watch Simon Groom's Blue Peter report on the making of the theme.
Chart music: David Bowie, John I’m Only Dancing (Again)
[23].
Fiddler's Dram: Day Trip To Bangor (Didn’t We Have A
Lovely Time) [26]. Fiddler's Dram crop up fairly often on
worst-of-the-top-ten-novelty-one-hit-wonder lists so they didn't give me the
traumatic unpacking of memories I experienced when The Ramblers hit the charts.
Also, this is a song I remembered from the inevitable spoof by The Barron
Knights ("Didn't we have a lovely time at the office Christmas
party"), and it's one I remember liking at the time. It's not necessarily
a bad song (I'm trying to choose my words with care here), it's simple, and
catchy, and doesn't sound like anything else in the charts, so I can see why it
would have caught my attention as I moved up from being a Boney M obsessed
eight year old to an Adam and the Ants obsessed nine year old (with a brief
detour on the way to run around the playground shouting "Hey! Teachers!
Leave them kids alone!"). Watched now the tune is still a weapon grade
earworm and I find my eye drawn to the bloke with the perm so enormous that all
he can do is shake his head from side to side.
Paul McCartney: Wonderful Christmastime [20]. This
may actually be a worse song than Day Trip to Bangor. Where to begin? The
plunking synthesiser? The sleigh bells? I'm going for the choir of children
who, according to Paul McCartney, have "practised all year long," and
yet can't sing anything better than, "Ding dong, ding dong. Ding dong,
ding dong. Ding dong, ding dong." Bilge.
The Tourists: I
Only Want To Be With You [4]. A song that has grown on me after hearing it
a few times.
Abba: I Have A Dream [21]. Wet. Not one of Abba's
best.
The Beat: Tears Of A Clown [31]. A really infectious
(in a good way) ska cover of the song by Smokey Robinson And The Miracles.
"Tears of a clown," says Mike Read in a faux-Jamaican accent at the
end of the song. The road to UKIP Calypso begins here.
Status Quo: Living On An Island [18]. A very special
Christmas present from Flick Colby to you. In cahoots with L. Rowland-Warne
from the Costume department and Humphrey Jaeger in Design she's created a
routine for Legs & Co which features famous ladies from history. Living On
An Island>The British Isles>Legs & Co>Famous ladies from history.
Do you see? There's Britannia herself (Lulu is clearly not dressed as Boudica
like Mike Read claims, the clod), Guinevere, Queen Elizabeth, Florence
Nightingale, Amy Johnson, and Mary Quant. Wot, no Thatcha?
The Inmates: The Walk [60]. How come the drummer is
allowed to not wear his jacket?
Blondie: Union City Blue [13]. Not Blondie's greatest
song. (John- It’s one of their best
though surely?)
The Barron Knights: Food For Thought [63]. Gone from
both the early evening and late night repeat. A spoof of three songs, Lucky
Number, Pop Muzik, and If I Said You Had A Beautiful Body Would You Hold It
Against Me. It's been edited out because The Barron Knights version of Pop
Muzik, Chop Suey, contains all your favourite stereotypes; the lead singer
screws up his eyes in a myopic oriental squint, he mixes up L's and R's
"London, Blistol, Ipslich, Ripley everyone eating aah-ha chop
suey"; the lips get pulled back to
imitate that hilarious bucktoothed look popularised by Mickey Rooney playing
I.Y. Yunioshi in Breakfast at Tiffany's; then there's this bit,
"all around the world. I think it's a shame. All them little Chinamen.
Well, they all look the same," *hands up to the side of each eye to pull
them into slits*. All that said, I'm not sure excising it from history is
entirely the right idea. By all means edit it from the early evening repeat,
but keep it in the late night repeat and let people see what was considered
family entertainment between Tomorrow's World and Blankety Blank
at 7.20pm in December 1979. Blimey, that got serious quickly. Sorry about that.
At the end of the performance Mike Read says, "myself, I prefer
English." We know Mike. We know.
The Pretenders: Brass In Pocket [30]. I clearly
remember this song so I know I would have been watching this edition of Top
of the Pops. I know I also found The Barron Knights hilarious. Oh well.
Time makes fools of us all. I hated this song by The Pretenders when I first
heard it. There was something about the line "I'm special, so
special" which really annoyed me. It seemed very boastful.
Number 1: Pink Floyd, Another Brick In The Wall (Part 2).
Still sounding fantastic and bleak. It's a song which always reminds me of
Ghost Town by The Specials. Musically they couldn't be more different but they
both carry the same doom-laden tone. Also, the kids from this promo film could
duff up The Ramblers without difficulty.
Closing titles: Rose Royce, Is It Love You’re After
[24].
Performance of the week: The Beat: Tears Of A Clown.
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