As an addendum to his Sounds of Silence article, Matthew Kilburn considers how religion is being used in a Good Man Goes to War.
Having promised a discussion of themes and symbols in my review of ‘A Good Man Goes to War’ and ‘Let’s Kill Hitler’, I barely mentioned Steven Moffat’s return to considering obsession and militarism through religion in Doctor Who. As well as enlarging upon a target of Russell T Davies’s Doctor Who, Moffat paints it with a shade of red which is both bloodier and more implicitly associable with Catholic Christian hierarchy.
