Top
of the Pops 1981 currently on BBC4. Watched by Chris Arnsby.
Steve
Wright: "Good evening it's another Top of the Pops. Yes it is. We've got a
great show for you tonight, and we're going to kick off with this lot over
here. It's Gidea Park and Seasons of Gold."
Gidea
Park: Seasons of Gold [35]. Who knew that Gidea Park (the biggest bunch of
blow-dried nitwits you've ever seen, and this is 1981 you can't throw a stone
without hitting a bunch of blow-dried idiots) would make me nostalgic for The
Dooleys. Come back Jim, John, Frank, Kathy, Anne, Helen, Alan, and Bob. All is
forgiven. This time Gidea Park are "performing" a terrible Four
Seasons medley. Yet another one. In a year that has seen medleys clog the charts. Why were people
buying them? Did they just enjoy the tremendous sense of value they offered?
Why buy ten records when you could buy one that Frankensteinised ten together?
I've decided that one of my reasons for hating Gidea Park is because they feel
the need to introduce each record. Beach Boys Gold started, "we'll remember
always the golden Beach Boys sound." Now Seasons of Gold starts, "the
memories there to unfold, so many reasons to recapture that musical gold,
remember the Four Seasons." Did Gidea Park really think their audience was
so stupid they needed to be reminded which group's songs they were about to
hear, and of the concept of medleys?
Although to be fair, these people would have just brought a Gidea Park
record so they are idiots.
OMD:
Souvenir [3]. A repeat from the 03/09/1981 edition. We get another chance
to see Jill (Miss Torquay and Miss Radio 1 Roadshow 1981) spurn Peter Powell
for a mystery fella in the audience slow dancing bit.
Beggar
& Co: Mule (Chant No.2) [41].After watching Imagination, Beggar &
Co have decided to sex things up. They're all wearing see through vests and
leather trousers. All? Well, not all. The guitarist at the back is wearing the
wrong sort of vest and trousers. And the drummer and keyboard player decided to
save money. Instead of going to trendy PX in Covent Garden they've grabbed a
couple of granddad’s sting vests off the washing line. Guys, the whole point of
having a unified sexy look is that everyone wears the same thing.
Sheena
Easton: Just Another Broken Heart [42]. A whole verse of this song is
devoted to the convoluted extended metaphor of Sheena Easton as a discarded
library book. "A library book you won't renew/A card arrived/You're
overdue/You get replaced by someone new/I feel foiled and shopsoiled."
The
Teardrop Explodes: Passionate Friend [29]. Another repeat from the
03/09/1981 edition.
Hi-Gloss: You’ll Never Know [17] (Legs &
Co). Legs & Co caper
through seaweed fronds while dressed in nice sparkly blue dresses. It's one of
those occasions where there's such an obvious mismatch between song, set, and
routine that there must be a sensible explanation. Was everyone briefed to
expect a more underwater themed song which subsequently underperformed in the
charts? Had Designer John Coles borrowed some funny cigarettes from Julian Cope
last week? As Hi-Gloss keep telling us, you'll never know.
The Tweets: Birdie Song (Birdie Dance) [25]. "This really must be the surprise hit of
the year," says Steve Wright as the unmistakable opening chords of the
Birdie Song oom-pah in the background. Steve Wright needs to work on his poker
face. Check out his expression as he turns away from camera at the end of his
introduction. The Tweets themselves are a terrifying dead-eyed collective of
giant bird costumes; the yellow one has a male friend to hold his double-bass
when he goes off to do the dance (increasingly wrong as the poor musician
inside the costume gets more hot and tired). The Tweets are better than Gidea
Park.
The Tweets: #weirdbirdlikething |
Godley & Crème: Under Your Thumb [30]. Spoiler. She's a ghost. (John- Awesome song and video this)
Bucks Fizz: One Of Those Nights [20]. A third repeat from the 03/09/1981 edition.
Bucks Fizz: One Of Those Nights [20]. A third repeat from the 03/09/1981 edition.
The Pointer Sisters: Slow Hand [11]. An astonishingly murky video.
Number
One:Adam & The Ants, Prince Charming. I've been getting
increasingly confused since BBC4 cranked up the broadcast schedule of Top of
the Pops. I was watching episodes months in advance of writing them up
here, and then revisiting episodes and realising that songs I'd thought were
done and dusted had only just got into the charts; as was the case with Prince
Charming. In the end I stopped trying to keep pace with BBC4, I've no idea what
they are showing now but I imagine they are going so fast that relativistic
effects have kicked in. If I attempted to tune in now I'd only be able to see
the back of my own head.
Closing
Titles: Dollar, Hand Held In Black & White [24].
Astonishingly The Tweets are there in the crowd for the end of show dancing.
You don't see Godley & Crème
sticking around. Or Gidea Park. But that's because they are scared of having
their heads kicked in.
Performance
of the week: Gidea Park... only kidding it's The Tweets... Sorry, I'm
getting silly and over excited. Beggar & Co: Mule (Chant No.2).
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