There’s a new presence gaining increasing space in shops,
something creeping surreptitiously into our retail lives almost without being
noticed. I’m talking about automatic checkouts or as they are optimistically
known Self Service Checkouts. Of course they are not actually self-service because
you are at the mercy of a voice that will stand for no nonsense. We’ve come a long way in customer services
from the disinterested girl chewing and swiping your goods nonchalantly but now
people are in danger of being completely replaced by machines. And not just any
machine either. Progress is great if it actually moves things forward but the
new breed of self service in large shops opens up a new front in the ongoing
issue of how technology is destroying viable jobs. Plus it is prone to quirky
behaviour.
Reviewing new and old tv, film and other stuff / Website: www.johnconnorswriter.com / Instagram: johnconnors100 / X: @JohnConnors100 /
29/10/2014
27/10/2014
Doctor Who In The Forest Of The Night
25/10/14 Starring: Peter Capaldi, Jenna
Coleman, Samuel Anderson (and various Coal Hill school pupils)/ Written by
Frank Cottrell-Boyce / Directed by Sheree Folkson
Review by Sean Alexander
To quote
Ursula K LeGuin, ‘the word for world is forest.’ Being a largely optimistic time-travel show that
has many times shown a bright future for the human race, Doctor Who has brushed with ecological fears more times than you
may remember. The Barry Letts era, with
its liberal sentiment and cautionary tales about mankind’s raping of the
environment, was certainly the most sustained attempt by the then production
team to lace its stories with a green message.
Latterly ‘The Seeds of Doom’ cast vegetable kind in a more invasive and
homicidal light, whilst Christopher Bailey’s Buddhist parable ‘Kinda’ and its
biblical snake in the garden of Eden also looked at post-colonial attitudes of
the materially minded towards the ecosphere.
From a cultural standpoint the 1970s in particular saw a greater flower-power-tinged
awareness of the teachings of Gaia, the urge for nuclear disarmament and
cleaner forms of energy. While the
1980s’ doom-laden tales of ozone holes and global warming have since firmly put
green politics on the electioneering map.Review by Sean Alexander
WARNING- SPOILERS PAST THIS POINT
25/10/2014
Downton Abbey (ish)
It is early evening at Downton and Lady Mary has just come back from walking pointlessly around the village
“I’m going upstairs to take my hat off,” she announces to raised eyebrows from the seventeen staff members walking around carrying trays for no reason whatsoever.
Carson harrumphs loudly, “I rather think that is not done.”
“I rather think I don’t care!” she retorted.
“Oh my dear, “ clucked her mother Cora, “You are becoming so modern, like the radio gramme we listened to for three minutes last week. By the way what happened to that?”
Her grumpy husband Lord Grantham turned around from where he had been pretending to sort out complicated papers.
“I don’t know. I was rather hoping to listen to The Cheeky Monk later.”
“What’s that, dear?”
“It’s a rather racy comedy show that I believe is all the rage in the South.”
“Aren’t we in the South?”
“No, dear. We just talk very posh.”
![]() |
| Maggie knew her hat was the best. |
24/10/2014
Top of the Pops 1979 4.10.79
Reviewed by Chris Arnsby
Kid Jensen. "Hi. It's time to look, and listen to the
music. This week with a touch of Madness."
Chart music: Madness, The Prince [16].
XTC: Making Plans For Nigel [42]. Nobody has risk assessed XTC's drum set up. The poor
drummer must keep twisting his back to strike the gong which has been
thoughtlessly placed right behind him. Making plans for Nigel? You should be
making plans for the onset of repetitive strain injury.19/10/2014
Doctor Who Flatline
18/10/14 Written by Jamie Mathieson / Directed by
Douglas McKinnon / Starring: Peter Capaldi, Jenna Coleman, Jovian Wade,
Christopher Fairbank
One of the often repeated explanations for the popularity of the series in the early 1970s was that of placing unfamiliar threats in familiar places, the Yeti in Tooting Bec as Jon Pertwee often put it and `Flatline` does exactly that. In what is probably the first alien incursion in Bristol we find an episode packed with interesting visual ideas that suggest the iconography of great pop videos and the work of shadowy artist Banksy who comes from the city. The result is something that scares, spooks and looks very cool at the same time. Jamie Mathieson please come back every season from now on!
One of the often repeated explanations for the popularity of the series in the early 1970s was that of placing unfamiliar threats in familiar places, the Yeti in Tooting Bec as Jon Pertwee often put it and `Flatline` does exactly that. In what is probably the first alien incursion in Bristol we find an episode packed with interesting visual ideas that suggest the iconography of great pop videos and the work of shadowy artist Banksy who comes from the city. The result is something that scares, spooks and looks very cool at the same time. Jamie Mathieson please come back every season from now on!
SPOILERS
PAST THIS POINT
17/10/2014
Top of the Pops 79 20/09/79
Reviewed by Chris Arnsby
Mike Read. "Hello. We've all had baths, washed our
hair, put on our brand new clothes, so we're all ready for another edition of
Top of the Pops."
Chart music: Racey: Boy Oh Boy [22].
The Starjets: War Stories [51]. The lead singer is
wearing a Ramones t-shirt. Could this be the first sighting of a future
sartorial cliché?
(John- The Starjets moment in the spotlight was this brilliant single which our
local radio station used to play the life out of so is indelibly inked into my
psyche and it’s amazing it only got to no.51. They were always known then as just Starjets even though they are The Starjets on thier album cover. The epitome of pop-punk the group
were from Northern Ireland and were signed to Epic Records by Muff Winwood,
noted producer of Sparks and brother of Steve Winwood. They released only one
album called `God Bless the Starjets` before splitting in 1980. Singer Terry
Sharpe later fronted The Adventures who had a hit single in the mid 1980s with
`Broken Land`.)12/10/2014
Doctor Who Mummy on the Orient Express
11/10/14: Written by Jamie Matheson/ Directed
by Paul Wilmshurst / Starring: Peter Capaldi, Jenna Coleman, Frank Skinner, John
Sessions
Reviewed by Sean Alexander
Immortal. Unstoppable.
Unkillable. Doctor Who has been many things over the years – political satire,
murder mystery, straight comedy – but it’s usually when its roots are showing
that it delivers to the widest audience.
‘Mummy on the Orient Express’ may be a one-line pitch from show-runner
Steven Moffat, but in the hands of newcomer scribe Jamie Matheson that simple
premise becomes possibly the purest piece of Who this series. And if last
week’s ‘Kill the Moon’ channelled the spirit of Philip Hinchclife’s still feted
era of gothic chills, ‘Mummy…’ takes it one step further by placing Egyptian
myths and Agatha Christie into the same, period-dress melting pot.
![]() |
| "See sense man, I'm not Jon Pertwee, oh no" |
SPOILERS PAST THIS POINT
11/10/2014
Our Zoo
Sept / Oct 2014 BBC1 written by Matt Charman, 2 episodes co-written with Adam Kemp/ directed by Andy de Emmony (3 eps), Robert McKillop (2 eps), Saul Metzstein / starring Lee Ingleby, Liz White, Anne Reid, Sophia Myles, Stephen Campbell Moore, Peter Wight, Ralf Little, Honor Kneafsey, Amelia Clarkson
There’s a quiet revolution going on in television that the BBC in particular seems to have grasped. As other channels chase the increasingly elusive young audience many of whom baulk at anything lasting longer than 10 minutes or prefer the brilliant but tense American dramas the majority of schedule tv watchers nowadays are a bit older and want something less stressful but still interesting. This used to mean Sunday evening series that lacked a certain something to really convince as drama; they were essentially soft soaps. Now there is a group of programmes that may seem disparate but which appeal to people who feel that interesting tv is not always about blood, swearing and mould breaking; sometimes it’s about a good story well told. Signifiers of this trend include the year’s biggest `reality` show The Great British Bake Off (over 12 million viewers for its final!) the successful drama Last Tango in Halfax and now Our Zoo. Unexpectedly given its more modest pre promotion this six part drama based on a true story is a gem of a programme.
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