Space 1999 - Another Time, Another Place

A textbook example of how to create and present an episode, Johnny Byrne’s time twister proves to be absorbing and thought provoking all the way through. An unexplained space phenomena appears to create two Moons. The Alphans wake up in another solar system that looks mightily familiar and there’s the Earth- or is it? Like an episode from the original Star Trek this episode packs in so much more than just action and thanks to David Tomblin’s top class direction every nuance of the story is presented to fascinating effect. If some directors treat this sort of series as another job it really shows when someone takes that extra care. Tomblin emphasises the weirdness of the situation especially when one of the crew- Regina- is given to crazy episodes where she thinks she’s married to Alan Carter – and he’s dead. Cue some bemused looks from the head Eagle pilot. 


Top of the Pops 4 Oct 1984

Reviewed by Chris Arnsby. Simon Bates: "Thursday night at Television Centre [indecipherable] Top of the Pops. It's so packed tonight I've forgotten who's on, Richard." Richard Skinner: "Tell you what. How about The Stranglers, Culture Club, and Adam Ant, live. Plus, in the studio now here are Bronski Beat and Why."
[4] Bronski Beat: Why? BBC4 skipped over September's final Top of the Pops because one of the hosts was Mike Smith. The result, on BBC4 at least, is that Bronksi Beat take pole position on two back-to-back editions.  The question everyone is asking is, what's the picture on the front of the vest worn by the stage right keyboard player? The picture on the vest of Larry Steinbachek (probably) is the cover of the single. An image of a man with his head in his hands by Glasgow artist Robert McAulay (thanks Wikipedia). Presumably the vest, and the t-shirt with the same picture Larry wore on the 20/09/1984 edition, were promotional material from London Records. This explains how Larry is able to wear a black t-shirt and two weeks later a black vest with the same picture without doing some pretty serious alterations; like Marge Simpson in the episode where she buys a Chanel suit. The stage left keyboard player (possibly the eponymous Bronski himself) has finally given in to his mum's nagging and put on the jumper his nan brought him last Christmas. She will be pleased. 


Joker review

This is a difficult film to assess because it’s not clear what it is trying to achieve. Is it a study of mental decline and how there are never enough resources to deal with it? Is it an origin story for a well -known comic book character? Is it a serious art film sneaking into the mainstream under a populist masthead? Is it a gratuitously violent movie with little soul? Is it a vehicle for a performance which tilts knowingly for Oscar glory? Well it is all of these things at various points but never really coalesces into a particular direction. As for just being entertainment it is simply not a film anyone could surely enjoy in that way. In case you hadn’t twigged the title is ironic- there’s not a single laugh in it.
Spoilers past this point


Top of the Pops 20 Sept 1984

Reviewed by Chris Arnsby. Andy Peebles: "Good evening. Hello and a very warm welcome to this week's edition of Top of the Pops." Steve Wright:"And we're going to kick off tonight's show with those Bronski Beat boys. Here they are with Why?!!"

[22] Bronski Beat: Why? Jimmy Somerville has taken a course in being a pop star. He's learned a whole new set of moves since Bronski Beat last appeared on the 07/06/1984 edition; he's mastered the art of crouching slightly to play to the low angled camera; he spins on the spot; he points; he pouts; he blows a kiss to the camera; and, perhaps sweetest of all, he beams with delight when he pulls of a dance move that gets whoops of approval from the audience.

It's just a shame he's decided to dress as blandly as possible in a beige shirt, daringly offset with beige trousers. If you want genuinely eighties style you'll need to point your eyes at the back of the stage where abstract graffiti-style shapes have been airbrushed onto a backcloth.

Bronkski Beat set tonight's trend. This edition of Top of the Pops is full of first class groups presenting slightly second class material. That said, the only reason to call Why? second class is because it's not Smalltown Boy.


Space 1999- Ring Around the Moon & Earthbound

Ring Around the Moon
For an episode that presents such a big threat to the Alphans, `Ring Around The Moon` is not in the least bit exciting. Its threat is a huge glowing sphere from the planet Triton in which a large eye occasionally appears, and which goes about things with a methodical method that unfortunately means everything takes a long time to unfurl. At the same time all of the dialogue is very much technical and therefore a bit dull. All this made my attention wander as the umpteenth golden forcefield shimmied across space and I was drawn to the odd musical score employed for the episode. There’s mysticism, jazz, classical and fusion all chucked together as if someone who doesn’t normally do this sort of thing is assembling the incidental music. It is all the more noticeable as large chunks of the episode take place without any music at all. The only time the music seems to match the visuals is when we’re inside the sphere which also happens to be the most visually interesting aspect of the story too.


Top of the Pops 6 Sep 1984

Reviewed by Chris Arnsby. John Peel: "Hello and welcome to another Top of the Pops. I've got a bit of an explanation to do at the beginning of this one so..." Janice Long: "No but I was just going to...." John Peel: "Shut up. If you'd just be quiet a minute. What happened was that Bucks Fizz last week started their number and they go to the station and..." Janice Long: "To cut a long story short. Bucks Fizz."

[21] Bucks Fizz: Talking In Your Sleep. You need to go all the way back to 1981 and the 11/06/1981 edition to find the last time Bucks Fizz were considered a big enough draw to open Top of the Pops. On that occasion the song was Piece Of The Action, the follow up single to Making Your Mind Up. Viewers at the time wouldn't have noticed but watched back to back it's immediately obvious that the two performances of Talking In Your Sleep are identical. It's the same routine, performed on exactly the same stage, even some of the camera set ups are broadly similar (the production team probably reused the camera script to save time). I could believe this performance was recorded from the camera rehearsal for the 30/08/1984 show and simply edited across into this week's edition. It's only the camera pan from Janice Long and John Peel at the start that rules this out as an option.

The whole thing has an odd scent of contractual obligation about it. Were Bucks Fizz offered the chance to come back and open the next show as a way of smoothing ruffled egos? If they were, then why were they put back on the same stage to do the same dance routine? The end result looks like something negotiated by lawyers, although it almost certainly isn't.

Question two, what song got bumped so that Talking In Your Sleep could get a quick repeat? Not Malcolm McLaren's Madam Butterfly (Un Bel Di Vedremo), which is the highest climber of the week; up 17 places from 32 to 15. Madam Butterfly will be ignored by Top of the Pops. The same fate befell White Lines (Don't Do It) which never rated a mention during its seven week climb up the charts to number 7. Had Bucks Fizz not been back I think we'd have seen the video for Elton John's Passengers again, and Are You Ready? by Break Machine would have taken Passengers' place to be played out over the credits.

While I'm asking questions I can't answer, what was the plan for the live 30/08/1984 edition anyway? Presumably the train was expected to arrive during the video for I Called To Say I Love You which would have been easier to cut short.


Space 1999 - Black Sun

For what is ostensibly an action orientated series aimed at a younger audience, `Black Sun` is a surprising diversion. David Weir’s screenplay clearly draws from the hippy mentality prevalent in late Sixties culture with its eventual message “everything is everything else” and takes a refreshingly philosophical angle on a potential disaster. Moonbase Alpha is being drawn into an enormous black Sun whose pull is liable to destroy it. “We’ll all be dead in three days” is Commander Koenig’s not exactly inspirational summary of the scenario. Victor Bergman however has other ideas, scribbling and thinking his way to a plan involving a forcefield that will use the base’s anti gravity towers as its tentpoles. “It looks like fish scales” someone says improbably. If the first section of the episode leans heavily on the hardware and mechanics that might save them, matters become more interesting when other aspects are introduced.


What does ruby chocolate taste like?

In 2017 it was announced that there are now four types of chocolate.  Joining milk, dark and white is ruby. According to the website of its originator Barry Callebaut, a Belgian- Swiss cocoa company “Ruby offers an intense sensorial delight, a totally new taste experience: neither bitter, milky or sweet, but a tension of fresh berry fruitiness and luscious smoothness.” Others have described it as having intense fruitiness as well as fresh and sour notes. Ruby chocolate is not, as some have imagined, just another flavoured chocolate but is made from an existing cocoa bean variety that can be processed into a distinctive taste. In truth such a new product should already have created more waves than it has but its existence is not that widely known. When I mentioned it at work amongst colleagues who between them know about most subjects raised nobody else had even heard of it.


Ad Astra review

Roy McBride must be the most accident prone- yet also the luckiest – man in the Universe. What befalls him during the first five minutes of this intriguing film would be the end of a lesser man but what he has to deal with for the next two hours few movie heroes would survive without superpowers and he doesn’t have those. Ad Astra (which means `To The Stars`) is a story that may span the reaches of space and contain a world threatening problem but at its heart it is a simple, family tale of how generations can both reject and reflect each other. It is thoughtful yet gripping, intimate yet Universal (in both senses) and if a bit unbelievable at times still a thrilling cinematic ride. 
Spoilers past this point


Space 1999 - A Matter of Life and Death

The crux of this episode is that the kind of life the Alphans will encounter may be somewhat different to their expectations. It’s a timely and well mounted escapade that also shows us something of the dynamics of command. When a mission to a potentially habitable planet (which incidentally looks like a cocktail) returns with a third person on board that’s strange enough. The fact that he appears to be Helena’s late husband who went missing presumed dead during a mission near Jupiter five years previously is just bizarre. It certainly gives Victor several chances to look puzzled and engage in tests; my favourite one is the scan of Russell which suggests he is dead. Victor’s scientific knowledge seems boundless yet for Koenig, eager it seems to please the crew, even this oddity must not stand in the way of evacuation.


Something to vote for....

The current UK political scene moves so quickly that by the time this is posted – and certainly after a few weeks- things will probably have changed again. However what I am reassured about at the moment is that there’s now a party I can vote for in the event of General Election in the coming months. The Liberal Democrats have decided that their manifesto will include a commitment to reverse Brexit by revoking Article 50. You could predict what the response from some quarters would be and indeed it has been. “Its undemocratic” they cry without understanding that this would only happen after an election in which as many if not more people would vote than did in the EU Referendum. Any policies enacted by a government that were in their election manifesto are democratic by the fact that people have already voted for them. Second, “the Lib Dems would never win a general Election under any conceivable scenario”. True perhaps but the point of this policy is not to suggest they are preparing for government but that they have drawn a line in the sand. It is as clear where the Conservatives stand on Brexit just as it as unclear where Labour do on the topic. Now there’s an actual choice with a party committed to the EU. Besides dismissing them because they won’t win is overlooking how the Lib Dems could actually hold the balance of power.


Top of the Pops 23 Aug 1984

Reviewed by Chris Arnsby. Mike Read: "Surprise surprise it's Top of the Pops. Me and Tom wondered where you'd got to, to be honest." Tommy Vance: "Well, we made it and we're glad that you made it too. Our first band are in our studio tonight. They're from Münster in Germany. Alphaville who are Big In Japan."
[43] Alphaville: Big In Japan. I'm not sure Big In Japan is the best song to open the show. Coming up later are two more obviously crowd pleasing singles, Miami Sound Machine and the dance antics of Break Machine (there are a lot of Machines -well two- on tonight's edition, is this the first sign of that technological singularity I keep reading about?). I like Big In Japan but, rather like Mothers Talk which opened the last edition of Top of the Pops, it feels as if Michael Hurll is deliberately resisting the obvious by putting this song in pole position.


Tolkien review

Given that this film is not endorsed by the writer’s estate and did badly in cinemas I was still intrigued to see what take it took on the formative years of one of the best known authors in the world. It is easy to see why the movie didn’t take off as we live in a time where historical characters are encouraged to speak with a modern tone and Tolkien resolutely and refreshingly stays in period. Its dialogue springs from the screen but because it’s not talking about kejoree for breakfast or something similarly Downtonesque it means we have a movie which celebrates diversity of language and literature which is always a hard sell. I’m not sure the means the filmmakers employed to liven this up always works either though there are some very satisfying aspects to the movie.


Space 1999 - Breakaway

In 1975 television fantasy was thin on the ground. Most popular shows from the States were either police based or else Earthbound stuff like The Six Million Dollar Man. The Star Wars boom was still a couple of years away while in the UK apart from Doctor Who these sort of shows sat mainly in the children’s programme slots. It’s important to mention this because when it arrived Space 1999 seemed like a breath of fresh, colourful air. People watched it with enjoyment at the time and it is only later that it came to be seen in a somewhat less appreciative light. Personally I loved it and had models of the Eagles (the spaceships not the group) and those poster magazines with gorgeous colour photos of weird alien locations.

Many of the criticisms of the series are at least partly valid- there is certainly a lack of empathy amongst the main characters and some of the plots are hugely derivative. The science is of course all over the place and you have to smile at the idea that what was then a view of 30 years into the future depicted everyone still wearing the flares and hairstyles of the mid -70s. At the same time, the series is enormous fun to watch with its gaudy alien planets and impressive model shots.  And can you really dislike a programme whose opening credits give away half the plot and depict the two stars staring into space while slowly revolving on a platform. I mean everyone does that at home don’t they?

So over the coming weeks I’m going to be watching every episode of the first season to see what I find then nattering about it on here. It’s important to point out these are not intended to be either episode guides or definitive reviews of the series, just reactions and observations as I journey alongside Commander Koenig (no relation to Ezra or Walter) and a remarkably smooth flying Moon through the Universe. If I survive the G Forces I’ll probably do season two next year. So let’s go back to 13 September 1999 or to be more precise 4 September 1975 when the first episode was originally broadcast….


Top of the Pops 16 Aug 1984

Reviewed by Chris Arnsby. Steve Wright: "Well hello!! Good evening!! And welcome to another edition of Top!! Of!! The Pops!!" Andy Peebles: "Yes. Good to have your company. Let's get under way. Over here on my right will you welcome please Tears For Fears and their latest single Mothers Talk."
[38] Tears For Fears: Mothers Talk. Steve Wright is jiggling like someone 24 hours into a course of antibiotics for a bladder infection. He doesn't have a UTI. It's his normal presenting style.
[Paragraph of criticism of Steve Wright cut. It's Andy Peebles I feel sorry for]
It's Tears For Fears. What are they up to? Singing about the weather. As Mark Twain said, "everybody talks about the weather but nobody does anything about it." (John – I’m sure Boris will get round to it once he’s `sorted` Brexit)


Top of the Pops 9 Aug 1984

Reviewed by Chris Arnsby. John Peel: "Hello and welcome to another half hour of the hardest street sounds around like Hazell Dean and Frankie Goes To Hollywood."
Richard Skinner: "We've got street-credible Blancmange and beach-credible Tracey Ullman here's Sunglasses."
[26] Tracey Ullman: Sunglasses. Gordon Elsbury has been credited as Producer since the start of August. This normally means that Michael Hurll is off doing something else. In this case something else might be organising the new series of The Noel Edmonds Late Late Breakfast Show which starts on 01/09/1984 with an ambitious live cross Channel (English, rather than BBC1 and 2) extravaganza. Who's going to be directing that outside broadcast? Oh, it's Gordon Elsbury again, in his ongoing role as hired gun for Michael Hurll.
Designer Rod McLean and Gordon Elsbury are trying something different for Sunglasses. They've constructed a new set rather than invite Tracey Ullman to perform in front of the standard perspex scaffolding. It's just a blue backcloth with a spotlight shining a sun in the middle but it's surprisingly effective and it's good to see the production team thinking of simple ways to ring changes in the presentation.
Also on stage is the world's largest deckchair. Now, Google tells me that Tracey Ullman is 1.66m tall (that's about 5'4'' in old lengths) and the seat of this deckchair is at the height of her waist. Why does the BBC have a deckchair that big in stock? What's it for? Who had it made? And why? Don't get me wrong, I'm glad it exists. Having impractical and bizarre props on hand is exactly the sort of thing the BBC should do but I'd love to know what programme requested the oversized deckchair. A strange Lilliputian version of Summertime Special?


Ad Break#14- Confusion, Ketchup and being Perf

Confused.com – Get past the confusion? 
Well I’m confused. The latest in a long campaign by Confused.com has the usual ubiquitous driver (played by Timothy Murphy) stuck behind a large vehicle dubbed 2019- The Year of Confusion. Yet the tone has altered from previous ads which understandably focussed on the dazzling amount of offers and products about. This time we are firmly in political territory as the confusion includes “votes about votes about votes” (a clear reference to the Commons votes earlier this year on different forms of Brexit), the circus being in town (Trump) and “another delivery”. The latter re- imagines Amazon’s famous symbol as a sort of monster. Quite how a comparisons website can get us past such issues is a mystery. I’m sure if they could MPs might have consulted them! 


Benjamin review

From his early days sarcastically undercutting pretentious pop stars Simon Amstell has trod a fine line between being an outsider and becoming exactly the sort of person he’s cynical about. And he’s aware of it as well. Benjamin marks both his big screen writing and directing debut and is set in a world he clearly knows well enough to poke fun at. It concerns a filmmaker concerned about his new project as it nears release but unlike his character, Amstell has made a well rounded, small scale movie that even those outside the milieu in which its set will appreciate.


Top of the Pops 2 Aug 1984

Reviewed by Chris Arnsby. Simon Bates: "Welcome to Top of the Pops. We have a world exclusive on the new George Michael video coming up later." Gary Davies: "And we've got lots of other great music as well like Prince, Tina Turner, the Kane Gang, but first to get us underway here's Black Lace. Agadoo."

[19] Black Lace: Agadoo. So soon? I knew it had to be coming but these repeats have only been running since 2011. I hoped I would have more time to prepare.
Black Lace, the very name sends a chill up the spine. Hang on. I've used that "the very name" line from The Daemons before. *checks card index* Yes, 13/04/1983. I was going on about Black Lace's other terrible song Superman. And on that occasion I misquoted the line as "the very name sends a shiver up the spine." Oh the shame. The shame. I've done Doctor Who wrong. I'll never be allowed in The Tavern again. *tears up Anti-Dalek Force membership card and ceremonially burns pile of Top, Faze, and This Way Up*.

This is Black Lace's third song to make Top of the Pops after the terrible Superman, and the terrible, terrible Mary Ann, the UK's Eurovision 1979 entry (7th place).

In total Black Lace made nine appearances on Top of the Pops. Two for Mary Ann, don't ask how when the song didn't even break into the Top 40. Superman also got two performances as will their post-Agadoo song Do The Conga. Agadoo itself will clock up three appearances; two on regular editions and one on the review of 1984. For those of you keeping count this was performance number five of nine. (John- Surely there was a review back then that just said: Agadon’t)


Blinded by the Light review

The idea of an Asian teenager in the Eighties taking inspiration from Bruce Springsteen sounds unlikely at first but not only is this film inspired by a true story but if you look at the Boss’s lyrics they have a universal appeal. Based on Sarfraz Manzoor’s book `Greetings from Bury Park`,it tells the story of a British teenager of Pakistani descent whose outlook is transformed when he hears Springsteen’s music and lyrics for the first time. Conveyed via a striking sequence in the film it is the words in particular that galvanise Javed into rebelling against his strict family to become his own person whoever that may be. If this sounds like a standard rites of passage movie the result is much more than that. Gurinder Chadha’s film niftily staples Javed’s awakening to the political times in which he lives. It’s as feelgood a movie as the posters suggests though in a down to earth manner where Javed’s aspirations start and end with getting out of Luton, getting a girl and making some money. These may seem limited ambitions but in a family hamstrung both by tradition and the economic state of the country plus a swathe of racism swirling around not as easy as it might sound. 


Astronomy Photographer of the Year exhibition

Today I did something different with my lunchtime and checked out the Astronomy Photographer of the Year exhibition at Liverpool’s World Museum which is actually only a short walk from where I work. Open since May and running till 1 September the exhibition features dozens of images from The Royal Observatory Greenwich's competition which has been running for ten years now with a prize of £10,000 for the overall winner. The exhibition shows the winners, runners up and several commended entries in each of the ten categories. Judging from what I saw today the standard is incredibly high with dazzling photographs that display incredible detail or camera skills. 


Top of the Pops 19 July 1984

Reviewed by Chris Arnsby. Richard Skinner: "Hello and welcome to Top of the Pops where the music may be recorded but the stars are all here live and here in person." Peter Powell: "On the stage you're going to see Frankie Goes To Hollywood, Divine, Billy Idol, Blancmange, but for starters The Mighty Wah! and Come Back!"

[28] The Mighty Wah!: Come Back. The Mighty Wah! finally make it on to BBC4. Their previous song Story Of The Blues got all of 90 seconds airtime on the repeat of the 03/02/1984 edition. The full performance went unrepeated as it featured on an edition blocked by the estate of Mike Smith [06/01/1983]. Of course, on that show the band appeared as Wah! Lead singer Pete Wylie has got through more band names than Spinal Tap; Wikipedia lists Wah!, Wah! Heat, Shambeko! Say Wah!, JF Wah!, The Mighty Wah! and Wah! The Mongrel. It's entirely possible Pete Wylie isn't taking seriously this whole being a pop star thing. Regardless of name, The Mighty Wah! are the ideal band for Peter Powell. They've even got his preferred punctuation built into their name.


How Not To Hurdle!

It’s the summer and the season of athletics, the sport people can’t seem to get worked up about however enthusiastically we are told we should. As it goes my most embarrassing public moment occurred on an athletics track many, many years ago. It’s not what you’re thinking- and no, it wasn’t that either. Once upon a time I found myself in the school sports day. This in itself was something of a miracle, maybe everyone else was on holiday or something. The event was held on the university’s playing fields which had an actual stand on one side meaning potentially hundreds of people might be there. Sports Day in fact was very well attended as it was held the same weekend as Founder’s Day. Yes, it was that sort of school that even had us in at the weekend (ok only once a year) though we didn’t have a school swan as you’ll know if you’re a regular reader. Anyhow I was in the sprint relay team which was fine because I could sprint 100 metres and that was basically it, I was out of energy by then. Then, on the actual day, in the actual changing room I was informed that due to some detail I can’t recall now I was also running in the 100m hurdles. OMFG!!!
Hurdles. What is the actual point???!!!


Top of the Pops 12 July 1984

Reviewed by Chris Arnsby. Tommy Vance: "Hi there, welcome to Top of the Pops. We've got loads of bands in the studio tonight. Haven't we John?" John Peel: "We certainly have and we're going to start the show with Shakatak and my mate Bill Sharpe wearing yet another truly hideous shirt."

[33] Shakatak: Down On The Street. Yes that shirt's pretty vile but it's only on the fringe of a nasty head on collision between unremarkable jazz funk, terrible fashion, and the eighties in general. The lead singer comes off worst. Big hair, padded shoulders, giant earrings... and that was just the teachers! No, sorry, that's not the right punchline. Just how close was the relationship between John Peel and "his old mate" Bill Sharpe? Shakatak appeared on Top of the Pops 9 times between 1982 and 1984, and three of those shows were hosted by John Peel. A Peel Factor of 33%. Is that statistically significant? I don't know. There's never a statistician around when you need one. 
Shakatak- I don't know what you mean about the hair.


Review Round Up- Midsomer Murders, The Kid, How to be an ex Prime Minister

The Midsomer Murders episode `Talking to the Dead` was recently shown on ITV3 as part of that channel’s seemingly endless trawl through the ITV detective archive and what a splendid episode it is. It takes a series of incidents that could easily nestle into a horror film and runs them past the viewer who, if you go with it, will enjoy it tremendously. Its not social commentary we might be familiar with but it taps into rural superstitions and folklore. First shown in 2009, events are vividly realised by director Sarah Hellings’ use of shots of creaking trees at every opportunity and a pale palette that brings out the autumnal. Its the time of year when all Midsomer Murders should really be made and the perfect setting for a tale of a supposedly haunted woods and a pile up of several bodies announced in gruesome style. One of the signatures of the series used to be (they’ve cut back on this more recently) that it ventured as near as it could to fantasy before explaining the melodrama in practical terms. This episode does is as well as any.


The Best Song about the Moon

Of course there are many, many songs that reference the Moon but most of them are not actually about the Moon at all. The one that springs to mind right away is the classic `Fly Me To The Moon`, a misleading title if ever there was one as Frankie is not instructing a pilot to actually carry out that task rather he is simply using it as a metaphor. His demeanour might have been far less cool had someone actually attempted to fly him to the Moon!  There’s old grumpy chops Van Morrison’s assertion that it’s a wonderful night for a `Moondance` but it is just too difficult to imagine him dancing. `The Whole of the Moon`, The Waterboys’ epic tribute to Prince takes its name from one of many comparisons writer Mike Scott makes between himself and the Purple one- “I saw the crescent, you saw the whole of the Moon”. And we have to mention `Dark Side of the Moon`, the best selling Pink Floy opus yet this once again uses the Moon as a symbol in a work about fulfilment or sanity (or otherwise). On the other hand the much less epic `Sleeping Satellite` sung by Tasmin Archer is actually about the Moon and not just that, it’s about the Apollo missions. Even more impressively it laments the ending of the missions and expresses the hope that they will one day resume. That’s quite an achievement for a chart topping single. 


Moonbase 3 Episodes 4 - 6

Eloquently written and elegantly presented, `Outsiders` really taps into the possibilities that surely inspired the creation of the series. So far we’ve had characters defined by either their strengths or weaknesses yet lacking a certain human touch. There’s been little levity or sense of what these people really think. John Brason- who also wrote the strong episode `Behomoth` - puts this to rights with an effective and sometimes affecting narrative centred around a couple of researchers who prove to be the outsiders of the title. John Hallam plays Peter Conway, already seen in earlier episodes whose ground breaking creation of a `foam metal` reaches a successful conclusion. We’ve already seen how he enjoyed spreading rumours of a moon beast a couple of episodes back and here he is a distant, thoughtful soul whose scientific achievements seem increasingly less important to him. In fact the very idea of scientific progress seems to disappoint him. He yearns for a simpler life and in one telling scene simply looks through the base’s much in demand telescope just to look. He wants a truth that is deeper and wider than just scientific truth. John Hallam shows this with a perfectly pitched performance looking so naturalistic it shows up some of his cast mates who are still in the irritated mode we’ve seen thus far.


Moonbase 3 Episodes 1 - 3

As if masterminding the successful 1970-74 period of Doctor Who was not enough, in 1973 Terrance Dicks and Barry Letts also devised a more serious sci- fi show Moonbase 3. Instead of adventures and monsters, this series was intended to take a different tack heading into the future. It certainly depicts a more believable scenario than ITV’s Space 1999 eschewing fantasy for a more straight laced depiction of life in an isolated environment. It’s a premise you could run with now, probably more successfully, however back then this series’ initial six episodes were its only ones. Somehow it never took off with viewers in 1973 who given the pedigree involved were probably expecting aliens and space plagues. Even Terrance Dicks later acknowledged they “overdid the grimness and forgot about the sense of wonder that science fiction is all about.” Yet when you watch it, while the pace is certainly slow there is lots going on and out of the six episodes at least three are good enough to be considered alongside the best of UK 1970s telefantasy shows.


Ad Break#13 Food freedom, Unlimited everything and chicken town

Deliveroo- “Food freedom”
One noticeable trend in the past couple of years has been the increase in adverts for online services showing on mainstream television. You wouldn’t necessarily think people who buy lots online would even be watching scheduled tv but presumably they are. Till recently, Deliveroo have been mainly visible in the form of daring bikers who weave though the tiniest possible gap between pedestrians in an attempt to deliver pizza while its still vaguely warm. This year though has seen them launch their global Food Freedom campaign. Intended to show the flexibility that comes from using the company, the two ads seen in the UK so far are from the Wieden+Kennedy London company. The promotional material says "Nothing really beats tucking into a burger in your joggers in front of the TV.  Using a hyperbolic lens, we placed a bunch of simple takeaway truths at the heart of the campaign, showing that, with the ease of Deliveroo, nothing can get in the way of your food”.   Emily Kraftman, Deliveroo’s UK and Ireland marketing director, added:  "Life is too short for disappointing takeaways. At its core, our new campaign is telling people Deliveroo can give you the freedom to have what you want, when you want it, where you want it.". 


Freddie Jones 1927 - 2019

An actor who combined theatrical extravagance with television discipline Freddie Jones always made an impact whatever the size of the role. His career is packed with memorable performances on tv, stage and film. For me his signature role was as Sir George Uproar in the brilliant series The Ghosts of Motley Hall, ostensibly a children’s show but courtesy of writer Richard Carpenter full of three dimensional characters. His role required a performance both larger than life yet sprinkled with emotion. For many though he is best known for his stint in Emmerdale from 2005-19, an achievement indeed for an actor to reach his public pinnacle in his eighties, wider recognition he thoroughly deserved. He brought the same skills to the part of Sandy as he always did earning widespread praise for his performances. 



Inspired by the likes of Silent Running, Moon is a film that relies on a narrative that won’t lead where you expect while also having exquisitely rendered special effects. The debut feature from Duncan Jones who both wrote and directed it, the 90 minute movie comes across in the manner of a serious indie offering despite the surroundings. Instead of a dystopian future we’re in the midst of what seems a boom as it has been discovered that helium 3 is abundant on the Moon and can generate enough fuel to keep things ticking back on Earth. At first you’re wondering why, if this is such an important resource, it’s been left in the hands of a single man on a three year contract. Won’t he go a little crazy?


Top of the Pops 28 June 1984

Reviewed by Chris Arnsby. Steve Wright: "Welcome!! To another exciting!! Enthralling!! Top of the Pops!!" Andy Peebles:"Yes, pleased to meet you. Let's get under way. Number 36 on the chart this week. They're from Scotland. They're the Bluebells. This is Young At Heart."

[36] The Bluebells: Young At Heart. Steve Wright is back for the third of his six appearances in 1984. For the rest of the year he is mostly teamed with Andy Peebles, with the exception of one show in December when he'll be paired with Peter Powell. Steve Wright is carrying a tennis racquet because he's well nutty! And also because it's the start of Wimbledon fortnight. It will take nine years for Young At Heart to reach number 1 on the back of a 1993 Volkswagen commercial. Astonishingly this isn't the longest gap between a song being released and topping the charts. That honour goes to Tony Christie who released (Is This the Way to) Amarillo in 1971 and saw it get to number 1 in 2005, 34 years later. This is The Bluebells second appearance on Top of the Pops. They performed I'm Falling back in April, 19/04/1984. On that occasion there were only three Bluebells. Now there are five. Two of them must have missed the train down to London in April.


Spider- Man Far From Home review

A while into this second film in Spider-Man’s third iteration in the past twenty years there is a sense of déjà vu. Despite the refreshing mixture of school vacation trip bonhomie mingled with post Endgame angst, when it comes to the new threat it seems rather over familiar, clichéd even. Could it be that Marvel has finally run aground? Was Thanos so powerful that those who follow him will struggle to impress?
Spoilers after this point.


Don't forget about Apollo 10

The lesser known Apollo 10.
This month is the fiftieth anniversary of the first Moon landing an event now so familiar that it has probably lost much of it’s sense of achievement. Nowadays people are more interested in trying to prove it was somehow faked than being  impressed that it happened which doesn’t say much for advancement in other areas of life. I don’t really recall much about it except that there was a buzz of excitement and families did huddle together watching grainy tv footage as events unfurled. When you’re a child it is hard to understand the technology and power of sending someone to the Moon, in fact I’d only just put aside the notion that the Moon was actually a giant luminous face in the sky. By 1969 I was probably formulating the idea that it was inhabited by alien beings of some sort. When Neil Armstrong’s boots touched the lunar ground those aliens had just stayed hidden. 


Top of the Pops 14 June 1984

Reviewed by Chris Arnsby. Peter Powell: "Hello! Welcome to another edition of Top of the Pops!" Mike Read: "And we have a group who [indecipherable] their very first appearance on British television. They have been number one in Holland and now they're.. doing... pretty well over here. This is Art Company and Susanna."
[20] The Art Company: Susanna. The Top of the Pops audience are really into this song. I don't think I've ever heard such an enthusiastic response. There are whoops and cheers on almost every line and the crowd go crazy for the accordion solo. It's not healthy for them to get this excited. The crowd know all the call and response bits. They really love whatever the lead singer does when he walks out of shot to do something hilarious with the accordion player. (This is why we have camera rehearsals, people. There is no point in doing funny business if the camera operators don't know it's going to happen). Frankly it's all rather odd. My memories of 1984 can be hazy but surely I should remember The Art Company? They're huge, and this feels like not remembering Ghostbusters or Fingal the Hampster (for those of you old enough to remember 1984 and the way the whole country seemed to go mad for Fingal's catchphrase, and constantly doing the happy banana dance). (John- Weirdly I can't recall this song either and I knew everything in the charts in 1984)
The mystery is solved by listening to the original song on Youtube. It's not my first guess, which was that The Art Company paid someone to stand off camera and provoke the crowd with gestures. It's also fortunately not my second guess, which is that my memory has fractured and all of reality is up for grabs. No, The Art Company have just added the  audience reaction as part of the single. Which is cheating.


Years and Years Episode 6 review

As the series concludes further into its harsh future than ever, yet worryingly easy to recognise, we have a finale that will be slightly more familiar to those of us who followed Russell T Davies’ Doctor Who than those who haven’t seen it. Not in plot terms but in the way it draws together its themes amidst a cacophonous turn of events and delivers powerful speeches and character moments. In its final quarter of an hour it even looks like Doctor Who as ailing Edith’s memories are uploaded and she summarises what they amount to. RTD has said he wrote this scene many years back and I’m glad he saved it for this rather than using it in other series because it fits the Lyons family perfectly even if family (actual or acquired) has always been one of the central themes of much of his work. Some cynics may scoff at such a simplistic conclusion but I think as they get older or wiser they may come to agree with it. It’s a fitting end to a series that has somehow not clicked with large audiences possibly because it is so difficult to promote. Yet if you like your drama filled with vibrant life and wild ideas yet tethered to the here and now you should really give it a watch. 


Top of the Pops 7 June 1984

Reviewed by Chris Arnsby. John Peel: "Hello and welcome to another Top of the Pops. Another half hour in the company of attractive young people wearing extraordinary trousers." David Jensen: "Not only that but everybody on the programme tonight is live except of course for the DJs." John Peel:"Yes, we're miming I'm afraid and not awfully well. Gonna start the programme with Spandau Ballet."
[5] Spandau Ballet: Only When You Leave. Spandau Ballet are dressed in black leather jackets with white trousers and shirts. It's a stark monochrome look. Tony Hadley's gran presumably refuses to pay the extortionate £34 annual cost of a colour TV licence and is watching in black and white (£18). With this in mind there's no point in the band wearing a rainbow of colours. Speaking of clothing, t-shirts with big block printing are becoming a fashion thing. Behind the band can be read "Oui" "WET" and the 1984 classic "RELAX".


Years and Years Episode 5 review

Rather like the neurons that coalesce to allow Bethany’s somewhat frightening augmentation into the entire Internet and its hinted beyond, this episode draws together storylines with a masterful touch. While it may appear low key compared to what’s gone before it contains some of the most intriguing scenes and pulls together when Bethany discovers her father’s worst deed yet at the end. I had been wondering if the stories of the Lyons would or even should collide directly with Vivienne Rook; till now save for Rosie’s brief interaction with her at a hustings they’ve remained separate. Yet here in a scene that plays out all sorts of potential directions, Vivienne meets Stephen who has now accepted a job in dodgy mate Woody’s property outfit. It’s a tense meeting alright yet with a tiny sign of weariness, even fear from Vivienne at the idea she might sail away from everything, “They would have me killed” she says in a tinier voice than we’re used to. 


Top of the Pops 17 May 1984

Reviewed by Chris Arnsby. Simon Bates: "Hello. Thursday night on BBC 1 welcome to Top of the Pops with two number ones, a future one and a present one, as well as two great new videos." Peter Powell: "Also on the show we've got Hazel Dean, we've got Ultravox, and for starters we've got Break Machine and Break! Dance! Party! Here it is!"

[16] Break Machine: Break Dance Party. Break Machine are turned out in the height of 1984 fashion; black polyester tracksuits splattered with yellow, red, and blue geometric shapes, and matching yellow headbands. The patterns on the tracksuits make Break Machine look like real world versions of the 1986 Top of the Pops title sequence when the theme tune changed to The Wizard by Paul Hardcastle. I'm always interested in the lengths Top of the Pops will go to hide even the most trivial production mechanics. When the lead singer wants to show off his break dancing skilz he hands the microphone to another member of the band. This is done while the camera is pointing at the third member of Break Machine to avoid even the slightest breech in the illusion that Top of the Pops is broadcast from some mythical endless dance party rather than anything so mundane as a television studio in W12. Likewise, towards the end of the song the lead singer sidles up to the edge of the screen and hands the microphone off to an audience cheerleader so that he can windmill away until the music stops. At the same time the second member of Break Machine dances to the back of the stage and quickly bends down to pick up a cloth so that he can do what I believe is called the-spinney-hands-thing. It's all so carefully choreographed so that it's easy to miss.


Years and Years Episode 4 review

This series is sort of like the news in that whenever you think you’ve seen the worst thing that can happen to people something even more horrific turns up. So it is with episode 4 which has a noticeably heavierm desperate tone from the start and goes on to present two key developments. For now at least the leering presence of Vivienne Rook becomes more shadowy as we focus on Stephen’s affair and Daniel’s attempts to get Viktor home and safe. Its fair to say that these are things that are never going to end well for the characters.


X Men Dark Phoenix review

Supposedly the last X Men film for a while, Dark Phoenix can’t quite muster the physical or emotional heft of Avengers Endgame but is a pacey piece of work that is better than the messy Apocalypse by a considerable distance and definitely not the dud some critics have made it out to be. On the other hand it’s no Days of Future Past either. If a certain feel of déjà vu does creep in from time to time its mostly offset by some gymnastic set pieces and a sense of purpose that, rather like its antagonists, will not be stopped by anything. In attempting to tie together the myriad of loose ends and contradictions littering the franchise however it actually makes matters even more complicated!

Spoilers past this point


Britain's Got Talent Final 2019 review

The more agreeable of Simon Cowell’s twin headed ITV behemoth is guaranteed to deliver on entertainment value. This year’s competition continued the trend of including both more professional performers and more non British talent moving further from the concept of homespun acts cooked up in someone’s living room. The appeal of the show lies partly in its instant rewards with the live shows running across just a week rather than the drawn out X Factor routine. Even the prize- £250,000 and a slot on the Royal Variety Performance is done and dusted well before the following series whereas X Factor victors have to wait a year by which time interest has palled. What appeals to the voting audience is someone’s story which explains why 89 year old Chelsea pensioner Colin Thackery triumphed with 25% of the final’s votes over slicker, riskier and more entertaining acts in this year’s finale. 
Ant and Dec missed the wardrobe memo


Years and Years Episodes 2 and 3 reviews

The tone of this series may appear bleak- and certainly this episode’s main developments are that- yet the spark of humanity shines through. Set in the year after the nuclear explosion that ended the first episode it initially shows the Lyons getting on with life despite what happened. Yet peppered throughout are signs of a nastier, uglier society that proves to be the perfect platform for the political rise of Vivienne Rook. Emma Thomson makes great work of the role, the character’s fake sincerity and ability to play to the lowest common denominator is a trait we’ve seen from many a politician. It’s authentic but also a bit worrying how easily swayed crowds of people are. Recent events have clearly inspired her creation- there’s a whiff of Farage and even Trump about her notably when her lack of knowledge about tariffs is exposed at the hustings for a local election. Yet she bounces back with another of the series’ future tech ideas- and who knows the Blink as it’s called may well be in development today.


Top of the Pops 10 May 1984

Reviewed by Chris Arnsby. David Jensen: "Well hi there and welcome again to Top of the Pops. Hey! Long time no see." John Peel: "Yes it's been a long time since we last did the programme. Fact there's been a lot of changes. These days he's John Peel and I'm Kid Jensen." David Jensen: "And this is Belle and here's The Devotions."
[12] Belle & The Devotions: Love Games. John Peel is right, it's been nine weeks since the pair last presented Top of the Pops, 01/03/1984. They were scheduled to present the 05/04/1984 show which was sacrificed to resolve the scene shifters strike. The Top of the Pops presenters schedule like the Mayan calendar cannot be easily altered and once Peel and Jensen lost their April slot they just had to wait for the next epoch to roll round. David Jensen kept the wolf from the door with a Radio 4 documentary. Soundings, in which he probed the morals of young church goers to see if they are "different from the public statements of the churches they attend." Fascinating, please tell me more at 6.15pm on 29th April 1984. (John- Or; look there’s some wet paint drying right over there) What was John Peel doing during this nine week lost weekend? The best he could look forwards to was a Roundtable in the Radio 1 Roadshow caravan at Angel Hill, Bury St Edmunds. Part of the Radio 1 in East Anglia season in which a bevy of DJs looked east and travelled round Cambridgeshire, Norfolk, Suffolk, and wherever Bury St Edmonds is; in the second week of March*.
Belle & The Devotions are fresh from their triumphant seventh place victory in groovy metropolitan wind-swept Luxembourg. Sweden won with a song called Diggi-Loo Diggi-Ley. Belle & The Devotions placed lower than a band from Denmark called Hot Eyes which sounds like a medical complaint.(John btw it came seventh in the Eurovision Song Contest and this was seen as a disappointment. Cripes! We'd love a seventh place finish now!)


Rocketman review

How to take the career of one of pop’s most flamboyant performers and bottle it in a format that will fit in a two hour movie is no small feat. Well, Dexter Fletcher’s done it. His dazzling, exciting take on the legend that is Elton John is such a good film that it left me with the idea of seeing it again. And that doesn’t happen often. Eschewing a year by year career trajectory (there are great leaps, ardent fans might find them too great) or even musical continuity (the story stops in 1983 but there are songs from beyond then) Fletcher and writer Lee Hall instead make magic. They use the basic facts, the essence of the story and fashion what early promotion called “a true fantasy”. Course, if you don’t actually like Elton’s music this is perhaps not the film for you but you still might be surprised. For those of us who do those songs are deployed with precision – and often in surprising ways- to support the narrative. It definitely takes more chances than Bohemian Rhapsody -with which it is inveitably going to be compared- and they pay off in a big way.


Ad Break #12 Aspirational Ads

Amstel- Bringing people together? 
These days an increasing number of companies like to be seen as being on the right side of issues that are consuming public interest so adverts are becoming more idealistic and aspirational. Like for example why can’t we bring more people together in this divided world? If that sounds an unlikely ambition for a drink, then the link between bridges and beer is even more tenuous but Amstel’s latest advert features no less an icon than Jeff Bridges to convince us otherwise. Appropriately enough he portrays a bridge!