The crux of this episode is that the kind of life the Alphans will encounter may be somewhat different to their expectations. It’s a timely and well mounted escapade that also shows us something of the dynamics of command. When a mission to a potentially habitable planet (which incidentally looks like a cocktail) returns with a third person on board that’s strange enough. The fact that he appears to be Helena’s late husband who went missing presumed dead during a mission near Jupiter five years previously is just bizarre. It certainly gives Victor several chances to look puzzled and engage in tests; my favourite one is the scan of Russell which suggests he is dead. Victor’s scientific knowledge seems boundless yet for Koenig, eager it seems to please the crew, even this oddity must not stand in the way of evacuation.
The current UK political scene moves so quickly that by the time this is posted – and certainly after a few weeks- things will probably have changed again. However what I am reassured about at the moment is that there’s now a party I can vote for in the event of General Election in the coming months. The Liberal Democrats have decided that their manifesto will include a commitment to reverse Brexit by revoking Article 50. You could predict what the response from some quarters would be and indeed it has been. “Its undemocratic” they cry without understanding that this would only happen after an election in which as many if not more people would vote than did in the EU Referendum. Any policies enacted by a government that were in their election manifesto are democratic by the fact that people have already voted for them. Second, “the Lib Dems would never win a general Election under any conceivable scenario”. True perhaps but the point of this policy is not to suggest they are preparing for government but that they have drawn a line in the sand. It is as clear where the Conservatives stand on Brexit just as it as unclear where Labour do on the topic. Now there’s an actual choice with a party committed to the EU. Besides dismissing them because they won’t win is overlooking how the Lib Dems could actually hold the balance of power.
Reviewed by Chris Arnsby. Mike Read: "Surprise surprise it's Top of the Pops. Me and Tom wondered where you'd got to, to be honest." Tommy Vance: "Well, we made it and we're glad that you made it too. Our first band are in our studio tonight. They're from Münster in Germany. Alphaville who are Big In Japan."
 Alphaville: Big In Japan. I'm not sure Big In Japan is the best song to open the show. Coming up later are two more obviously crowd pleasing singles, Miami Sound Machine and the dance antics of Break Machine (there are a lot of Machines -well two- on tonight's edition, is this the first sign of that technological singularity I keep reading about?). I like Big In Japan but, rather like Mothers Talk which opened the last edition of Top of the Pops, it feels as if Michael Hurll is deliberately resisting the obvious by putting this song in pole position.
Given that this film is not endorsed by the writer’s estate and did badly in cinemas I was still intrigued to see what take it took on the formative years of one of the best known authors in the world. It is easy to see why the movie didn’t take off as we live in a time where historical characters are encouraged to speak with a modern tone and Tolkien resolutely and refreshingly stays in period. Its dialogue springs from the screen but because it’s not talking about kejoree for breakfast or something similarly Downtonesque it means we have a movie which celebrates diversity of language and literature which is always a hard sell. I’m not sure the means the filmmakers employed to liven this up always works either though there are some very satisfying aspects to the movie.
In 1975 television fantasy was thin on the ground. Most popular shows from the States were either police based or else Earthbound stuff like The Six Million Dollar Man. The Star Wars boom was still a couple of years away while in the UK apart from Doctor Who these sort of shows sat mainly in the children’s programme slots. It’s important to mention this because when it arrived Space 1999 seemed like a breath of fresh, colourful air. People watched it with enjoyment at the time and it is only later that it came to be seen in a somewhat less appreciative light. Personally I loved it and had models of the Eagles (the spaceships not the group) and those poster magazines with gorgeous colour photos of weird alien locations.
Many of the criticisms of the series are at least partly valid- there is certainly a lack of empathy amongst the main characters and some of the plots are hugely derivative. The science is of course all over the place and you have to smile at the idea that what was then a view of 30 years into the future depicted everyone still wearing the flares and hairstyles of the mid -70s. At the same time, the series is enormous fun to watch with its gaudy alien planets and impressive model shots. And can you really dislike a programme whose opening credits give away half the plot and depict the two stars staring into space while slowly revolving on a platform. I mean everyone does that at home don’t they?
So over the coming weeks I’m going to be watching every episode of the first season to see what I find then nattering about it on here. It’s important to point out these are not intended to be either episode guides or definitive reviews of the series, just reactions and observations as I journey alongside Commander Koenig (no relation to Ezra or Walter) and a remarkably smooth flying Moon through the Universe. If I survive the G Forces I’ll probably do season two next year. So let’s go back to 13 September 1999 or to be more precise 4 September 1975 when the first episode was originally broadcast….
Reviewed by Chris Arnsby. Steve Wright: "Well hello!! Good evening!! And welcome to another edition of Top!! Of!! The Pops!!" Andy Peebles: "Yes. Good to have your company. Let's get under way. Over here on my right will you welcome please Tears For Fears and their latest single Mothers Talk."
 Tears For Fears: Mothers Talk. Steve Wright is jiggling like someone 24 hours into a course of antibiotics for a bladder infection. He doesn't have a UTI. It's his normal presenting style.
[Paragraph of criticism of Steve Wright cut. It's Andy Peebles I feel sorry for]
It's Tears For Fears. What are they up to? Singing about the weather. As Mark Twain said, "everybody talks about the weather but nobody does anything about it." (John – I’m sure Boris will get round to it once he’s `sorted` Brexit)