Rather like the
neurons that coalesce to allow Bethany’s somewhat frightening augmentation into
the entire Internet and its hinted beyond, this episode draws together
storylines with a masterful touch. While it may appear low key compared to what’s
gone before it contains some of the most intriguing scenes and pulls together when
Bethany discovers her father’s worst deed yet at the end. I had been wondering
if the stories of the Lyons would or even should collide directly with Vivienne
Rook; till now save for Rosie’s brief interaction with her at a hustings they’ve
remained separate. Yet here in a scene that plays out all sorts of potential
directions, Vivienne meets Stephen who has now accepted a job in dodgy mate
Woody’s property outfit. It’s a tense meeting alright yet with a tiny sign of weariness,
even fear from Vivienne at the idea she might sail away from everything, “They would have me killed” she says in a tinier voice than we’re used to.
The episode
sees the Uk under the Rook regime turn into a quasi- militaristic state with
fenced off `criminal zones` (Rosie happens to live in one) and an increasing
number of Disappeared refugees who we discover end up in so called Esrtwhile
camps. In the episode’s most chilling sequence Vivienne elucidates on the
nomenclature explaining in the same tone someone might discuss a nice cup of
tea the origins of concentration camps with an allusion to oranges and a
suggestion that in the end the first camps in South Africa are forgotten. It is
exactly how a writer should pen such a monstrous character though some may find
the whole thing a little tasteless. Rook’s rhetoric often chimes uncannily
close to some of the stuff we hear today from extreme right wing parties and
the more out there Brexiters. Meanwhile Vivenne’s speech at the start of the episode
sounded like the sort of nonsense Nigel Farage might say right now; aspirational waffle that mentions greatness but lacks any detail on how to acheive it. This is a
gem of a role for Emma Thomson who laps up every sentence with glee.
For Rory
Kinnear too the role of Stephen is surely one of his best. Stephen is the
series most interesting character because despite mistakes and mis-steps plus
an ever growing tide of guilt we still want to watch him progress. Its possible
that he is beyond redemption now, certainly in the eyes of the viewers and his
daughter. Russell T Davies is rarely a
writer to take the most travelled route so his way of following up last week’s
tragedy is to largely focus on blame. Across the episode various characters
state their belief that what happened was their fault while Stephen who can’t
be said to be culpable in any way is the one who gets `revenge` on Viktor by
using his new found access to send the latter to one of those camps we’ve been
hearing horrible things about. I’m not sure there’s been a drama where the
pressing of a key has been so vital. On the one hand you don’t want him to do
it but on the other if he does it will ratchet up the drama even more!
Many social media
comments have picked up on how the further the series travels from 2019 the
more realistic it seems. In this episode there’s talk of 80 days of rain which
with the week’s weather looks like a bang on prediction possibly nine years too
late! Yet we also see Gran’s macular degeneration cured 100%- at a price if she’s
not prepared to wait three years. There are blackouts and terrorists too so in
that sense it’s just like the 1970s. And despite the gloom the episode offers
plenty of exquisite lighter touches like Gran and her dinner gong and best of all Rosie’s encounter with an
government official whom she’s been addressing remotely on a screen. There’s a
power cut and the official turns out to have been sitting directly behind the
screen! Plus we get the return of paper! So it’s not all bad!
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