Words:
Chris Arnsby
I've
now read the relevant Wikipedia page. Nice work Gun going from being formed in
1987 to supporting The Rolling Stones on their Steel Wheels/Urban Jungle tour
in 1990.
POP NEWS FACT! Gun were due to support*** the Rolling Stones at their Wembley
Stadium shows on 13/07 and 14/07/1990 but those dates had to be postponed after
Keith Richards cut his finger.
*So,
if you get frustrated by how disinterested in music these reviews are now, then
wait until around 2029.
**
Obviously it also helps to establish my key brand identifiers and build a
parasocial relationship with the reader; remember the consumer must feel like
an ally not a target!
***
Probably. I haven't actually looked this up or anything but it seems logical
that Gun would be the UK support****.
****
The support for the German leg of the tour were called Die Toten Hosen – The
Kill Trousers? And that's enough Footnotes.
(John, Talking of Footnotes, I can tell you that Gun's drummer Scott Shields has gone on to become a record producer and more recently creating film music soundtracks)
[27]
RIVER CITY PEOPLE: California Dreamin'/Carry The Blame. Apparently I'm still
trapped in a parallel universe. Which explains why the Statue of Liberty is
copper coloured. River City People are well known here and people understand
Anthea Turner's comment about knowing “how hard they've worked to get here!”
It's possible Anthea Turner is just referring to River City People's efforts to
make the Film Strip stage look all flower powered with plastic vines running
all over the place.
The
link from Gun to River City People is directed almost identically to the one
used on14/06/1990 show between Guru Josh and Maureen. The camera crane pulls
back from the Main Stage to find the host on the Triangle Stage. Then the
camera pans round the host and the picture cuts to another crane that moves
across the studio towards the second act on the Film Strip stage. The cut from
Anthea Turner to River City People stands out to me as much as the earlier one
from Bruno Brookes to Maureen, and gives the impression that the second band
are pre-recorded; but they are not.
CHARTS: 40 TO 31
[34]
BLUE PEARL: Naked In The Rain. Thank goodness. A band and song I've heard of. I must have
temporarily phased with my home reality (Alternative 257 for those keeping
records).
[13]
GLEN MEDEIROS featuring BOBBY BROWN: She Ain't Worth It. Promo VT.
[38]
THUNDER: Gimme Some Lovin'. And I'm back in a parallel universe. Who are Thunder? Why is
Anthea Tuner so delighted to have them in the studio? “We're feeling very
honoured on Top of the Pops tonight! Because Thunder have flown in all the way
from LA! Just to be with us!”
Wikipedia
tells me Thunder are an “English hard rock band from London,” which doesn't
explain why they've flown in from LA; unless they were chased out by people
with taste.
While
I can whine about Top of the Pops featuring a whole bunch of songs I don't
remember that haven't stood the test of time (although Thunder appear to be
still going, may god bless them and all who sail in them), it at least it shows
Paul Ciani is expanding the remit of the show beyond the obvious chart hits and
popular genres.
CHARTS: 30 to 11
[28]
THE SOUP DRAGONS featuring JUNIOR REID: I'm Free. There's some dynamic
handheld camera shots as Junior Reid does his bit. Junior Reid is very bouncy
and prone to unexpectedly waving his arms around so the camera operator has to
move fast, but carefully, to get close ups while also paradoxically keeping to
a safe distance.
[4]
THE STONE ROSES: One Love. Promo VT.
TOP
10
[1]
ELTON JOHN: Sacrifice/Healing Hands. BBC VT. Another repeat of the 22/06/1990 performance.
Another chance to see the studio audience demonstrate their lack of ability to
wave their arms in time to a beat.
[26]
TECHNOTRONIC featuring YA KID K: Rockin' Over The Beat. Mark Goodier next week. A
quick word of praise for the last few shots of the programme. The floor manager
has carefully arranged the studio audience into several groups; one around
Anthea Turner; some on the Neon stage behind; and the rest on the stairs and
studio bridges. It's a well composed and lit shot and makes the studio seem
full of people having a great time.




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