Emerald City- Episodes 7-10

 

Episode 7 - They Came First

This is a series that likes to turn the tables frequently and take us off on a tangent so for this episode after being teased with domestic bliss as Dorothy, Lucas and Sylvie hunker down in a remote country house, we end up with the reveal that Lucas is Glinda’s defender (and lover). Its the second explanation we’ve had for his backstory so it’s no wonder he had amnesia! It’s a seriously good twist though in an episode that elsewhere has something of a shock value. The house where they are staying has a large scarecrow in the front another symbolic link to the original. The episode’s stand out moment is when the house they are in begins to turn upside down and you realise more or less anything can happen in this show!

Emerald City - Episodes 3- 6

 

Episode Three - Mistress New Mistress

The story of the Wizard has always been a tale of deception  and this episode sees Emerald City continue that tradition revealing he is not all he seems. He confesses to one of his counsels that he had no powers at all before he came here and that his name was Frank Morgan (a nod to the original author) while later he doesn’t deny that he can no longer awaken the stone giants supposed to be guarding the city in the event of the return of the Beast. Vincent D'Onofrio's performance is subtle and you can detect the sense of a man struggling under the surface to keep control over everything because he likes the power so much.

Emerald City - Episodes 1 & 2

 

The Oz books penned by L Frank Baum have proved to be inspiring fodder for a number of versions and adaptations across various media. As the best known ones are The Wizard of Oz film and the musical Wicked, the tales have become synonymous with songs. A more ambitious attempt to relocate this world to that of drama was made with Emerald City. First developed by writers Matthew Arnold and Josh Freidman for NBC the concept was to extrapolate familiar characters and scenarios from the books to give them a futuristic, edgier twist.  They also wanted to make a version grounding some of the more fanciful concepts in a more realistic though still unusual context as well as bringing characters who featured in all of the original fourteen books together to exist at the same time.

Thumbsucker

Mike Mills is a photographer, music video director, documentary maker and, every once in a while, he also makes a film. There have been three so far (a fourth is on the way) the latest of which is 2016’s 20th Century Women. 2010’s Beginners is the best known having won veteran actor Christopher Plummer an Oscar. Mills’ debut feature Thumbsucker was released in 2005. The story is based on the novel of the same name by Walter Kim though the film is also semi improvised. Mills uses a directorial style we could call relaxed. Sometimes the camera seems to drift from one person to the other which when you’re used to sharp talking fast cuts comes as a surprise. This emphasises the uncertainty felt by the family at the heart of the film and gives matters a dreamy quality. The title refers to the fact that seventeen- year- old Justin Cobb still sucks his thumb despite his parents’ attempt to pull him out of the habit. At first Justin appears to be the typical angsty movie kid but this is not a coming of age movie in that the story suggests we never come of age. We spend our lives seeking to do so, looking for answers but as one character suggests  “we’re all scared little animals”.