Review
by Chris Arnsby. Steve Wright : [Wandering on from the left side of the screen]
“Ah!! There you are!! Good evening!! And welcome to another Top of the Pops!!”
Mike
Smith: “Don't shout at me please.”
Steve
Wright: “Sorry!!”
Mike
Smith: “We have a marvellous show...”
Steve
Wright: “Marvellous!!”
Mike
Smith: “... for you this evening. Marvellous show coming up... ”
Steve Wright: “Super!!”
Mike
Smith: “... Including down here, Alison Moyet”
Steve
Wright: “Yaaaaaaayy!!”
[16] Alison Moyet: Weak in the Presence of Beauty. Alison Moyet's been given one of those late-eighties power hairstyles which involve applying copious amounts of styling mousse and facing a fan set to King Lear. “Blow, winds, and crack your cheeks! Rage! Blow!” The resulting storm-tossed look is great but has one design flaw. When Alison shakes her head a rogue strand of hair sticks right to the side of her face with the tip almost in her mouth. In the low angle shots it also casts an unattractive shadow. What's a pop star to do? Fortunately there's about to be a trumpet solo and while the eye of the camera is distracted Alison wipes the offending strand back into place. What a pro.
[3]
Jackie Wilson: I Get the Sweetest Feeling. “More old songs tonight than any old Radio 2
programme could ever offer you,” says Mike Smith.
Time makes fools of us all. Those eighties days are long passed when Radio 2 played Stanley Holloway's Let's All Go Down The Strand! ('Av a Banana remix) from wax cylinder. Instead today you can listen to Steve Wright playing the 35 year old Weak in the Presence of Beauty. What an age to be alive. Jackie Wilson is on video.
[25]
Nick Kamen: Loving You is Sweeter than Ever. “Love is sweeter!!” is Steve Wright's attempt
at the name of the song. Nick Kamen is forced to perform in a clean white
t-shirt because his career is doomed to tie him to things which remind people
of laundrettes. It's a cover of the original by the Four Tops.
Top
40 Charts.
[4]
Freddie Mercury: The Great Pretender. On video.
Top
40 Breakers: [32] The Mission, Severina; [31] Bruce Willis, Respect Yourself;
[24] Genesis, Tonight, Tonight, Tonight.
Suddenly
we're back to the hosts announcing the Breakers as each video clip starts to
play. This is noticeable because it hasn't been done for ages.... I sense something; a presence I've not felt
since 18/09/1986. Yes, Michael Hurll is back and sitting in the Producer and
Director chair for the first time in six months.
It's
odd. The Breakers were introduced as part of Hurll's “more top hits” policy to
put more music in the programme and yet he reverts Stanley Appel's change which
stopped the hosts yakking all over the songs.
[21]
Beastie Boys: Fight For Your Right. On video. I just like to add that I absolutely hated this song in
1987, but I've mellowed on it over the years.
Top
10 Charts.
[1]
Boy George: Everything I Own. “... and he's back on Top of the Pops for the first time since
1985,” says Mike Smith. Who has forgotten about Culture Club's appearance on
the 13/03/1986 edition, hosted by Mike Smith and Steve Wright?
There's
a lot to unpack about Boy George's performance here. Firstly, he seems to have
been allowed to bring along his own scenery. Two large black monoliths
decorated with spoons. If that description sounds odd, it looks even stranger
on screen.
Secondly,
the rest of the stage is filled with lots of guitars and a full drum set. Now,
Culture Club didn't break up under the best of terms following the end of the
relationship between Boy George and drummer Jon Moss. Are the unattended
instruments sending a message that Boy George can do this without the rest of
the band?
Maybe
Boy George just felt self-conscious about appearing on stage by himself and
wanted to fill the space somehow, although even as I was typing that I realised
the words self-conscious and Boy George don't really go together.
[33]
Frankie Goes To Hollywood: Watching the Wildlife. On video. This is the last Top
of the Pops sighting of the hot band of 1984.
Simon
Bates and Peter Powell next week!
Performance
of the week:
I haven't played my 1987 Joker yet so it's Beastie Boys, Fight For Your
Right.
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