Words: Chris Arnsby
A
few weeks ago Anthea Turner hosted a live show, 21/03/1991, and I went back to
see if this P AS B note was also on that VT Clock. Unfortunately, we’ll never
know because whoever digitised the episodes got confused and edited the
11/04/1991 VT Clock onto the start of the show, as it was also hosted by Anthea
Turner.
*The
secret, is to put them in your mouth.
[22]
THE SIMPSONS: DEEP DEEP TROUBLE. Promo VT. A guy standing behind Gary Davis keeps pulling silly
faces during the link into N-Joi. I think he also turns up in the audience
during N-Joi’s performance facing the camera rather than the band.
[19]
N-JOI: ANTHEM. I really liked (see how I skilfully avoid using the word enjoy)
N-Joi’s performance on the 28/02/1991 show. It was fast and frenetic and well
edited. This one is pretty good but it feels dialled back. It’s possibly less
ambitious because this is a live show and there’s no chance for retakes if
something goes terribly wrong. As it is, there are several moment when the
picture judders as the handheld camera operators clunk into keyboards. The most
worrying judder comes when a handheld camera moves in to pan up the body of the
Lycra clad Dancing Man (imagine the Raston Warrior Robot from The Five Doctors
at a rave*). The camera moves in, the picture judders, and then the camera moves
back. It appears to have bounced off the Dancing Man. Let’s hope it was his
knee rather than his groinal bulge. (A quick editorial note to David Lock,
don’t put the uplights there again please. The chiaroscuro was unnerving.)
CHARTS FROM 39 TO 11. While introducing the charts, Gary Davies uses the phrase “happening tunes.” This is the worst thing he has ever done.
There’s
an odd kind of heat haze effect on some of the chart captions. You can see it
clearly on the slide for [36] MONIE LOVE/ADEVA, Ring My Bell. It looks
like a Moiré pattern, the wavy interference you would see on TV if someone was
wearing a chequered pattern. It’s not present on every slide and I can’t work
out if this was how the programme went out, or if this is an artefact
introduced by the digitisation. A quick check shows it was present on other
chart countdowns in the past. Evidentially it was particularly bad this week
for me to notice.
[10] THE WATERBOYS: THE WHOLE OF THE MOON. Promo VT. (John- This was a re-release that would peak at number 3 after only reaching number 26 in 1985. How it never reached number one is a chart mystery as its surely one of the best songs ever!)
[33]
THE MOCK TURTLES: CAN YOU DIG IT? Triangle Stage news update. The big perspex X and the Christmas
Tree thing are both still AWOL.
[21]
C & C MUSIC FACTORY/FREEDOM WILLIAMS: HERE WE GO. Promo VT.
[26]
BLACK BOX: STRIKE IT UP. Promo VT.
[12]
FEARGAL SHARKEY: I’VE GOT NEWS FOR YOU. Feargal Sharkey’s attempt at a beard has not
progressed since he was on the 21/03/1991 edition. Once again the Top of the
Pops audience are confounded by the idea of swaying their arms in time to
the music.
TOP
10
[1]
CHESNEY HAWKES: THE ONE AND ONLY. BBC VT. A repeat of his performance from last week, 28/03/1991.
[35]
MIKE & THE MECHANICS: WORD OF MOUTH. Promo VT. Anthea Turner next week. Idiot watch,
that bloke’s back again standing right behind Gary David. He’s mostly blocked
from the camera and all you can see is his arm.
Countdown
to Year Zero revamp: 27
Ratings:
The Easter
boost has gone. Top of the Pops slips out of the Top 30 again, meaning
the programme rated less than the 7.08 million who watched Grandstand.
Annoyingly there were no ratings printed in The Stage for the equivalent
week in 1990.
*(John- For non Doctor Who fans out there, the Raston robot was a humanoid robot played by a man encased in a silver body stocking but he could do cool things like zap Cybermen.)


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