This has been a tricky week for those of
us who prefer not to know important plot developments before they are showing
in a film or tv series. We’ve had Avengers
Endgame, a crucial Game of Thrones
episode and the latest twists in Line of
Duty. It is actually more difficult than you imagine to avoid spoilers
because they can pop up in the most unexpected ways. You might avoid
entertainment sites, social media and work conversations only to overhear
someone walking past say “I thought Milo’s death from the top of the tower was
shocking..” and there you go. You’ve followed Milo’s plot for six years,
through highs and lows and now you know he falls off the tower. Can you even
watch the next episode of Flugelhorn
Warriors the same way? It’s all over. Aaaaarrrghhhh.
After seeing Avengers Endgame on
Monday I thought I was safe from spoilers and could freely read about the film,
however everywhere I looked there were spoilery bits about the Game of Thrones episode `The Long Night`
which I didn’t watch till Wednesday. Only after that could I feel I was un-spoilerable
at least for a few days. Looking now its amazing how much casual spoilering
takes place. People don’t necessarily give away detailed synopses but refer to
things like a certain actor being free to work on something else so you think;
oh well they must be written out in the latest episode. The most irritating
spoilers are ones hidden in fan theories. You might check one of these for ideas
only for it to include lots of plot revelations for episodes or a film you’ve
not seen.
Game
of Thrones seems to be
the most spoilered and theorised about tv show ever frequently about who might
be the latest to sit on the iron throne but mainly about the who’s, why’s and
wherefores of the Night King. Has a character who has said so little ever
caused so many words to be written and spoken about them? Actually in `The Long
Night` there’s a scene where he walks forward and I was expecting him to burst
into song. Now that would have been a surprise!
People’s threshold for spoilers does vary.
Some people don’t mind some information – and lets face it trailers are nothing
but well packaged spoilers themselves- but prefer not to know key developments.
I don’t think anyone sat down to watch `The Long Night` or Endgame not expecting a big battle of some sort and if you’d seen
their predecessors you would roughly know what that would entail. In that case
the spoilers lie in which side wins and who survives those battles. And whether
the Night King Sings (spoiler alert- he doesn’t!)
Soap opera watchers on the other hand
are different. Not only do they seem to actively chase spoilers but the makers
of the programmes are happy to release advance information though I don’t know
how writers or actors feel about that. The theory about official spoilers is
that they encourage more people to watch. Once they know that Maggie’s toaster
explodes causing the shop to burn down they can’t wait to see it. They don’t
seem to consider that not knowing making some toast will lead to such a
dramatic circumstance might make the eventual scenes even more exciting. Yet programme makers seem to want to reveal
big plot developments and soap opera fans seem to enjoy finding out about them.
You could argue it makes these dramas less believable simply because they have
to keep building big moments into them which is why you get an unlikely number
of major incidents happening in one small location. In these cases is the need
for endless spoilers to keep people interested driving the writing? Personally
the most thrilling television or film moments I recall were all out of the
blue, without earlier spoilers. When you think about it that’s how life is.
References to Spoilers started with the
Internet and originated in newsgroups where it quickly became established
practice to type SPOILER ALERT in capitals before revealing something most
people would not know. This largely developed due to the different transmission
or release dates of tv and films between the US and UK. This was previously an
issue that only concerned video pirates but with the development of online
forums it was easy to spot American fans discussing plot points of episodes we
hadn’t yet seen over here. Wikipedia and other pure information sites have
muddied this water in that they give away full plot information from the moment
it is available without concern to release dates. The ultimate example of this
is that you can look at their entry for the famous play The Mousetrap and find out plot details that decades of audiences
have loyally kept to themselves. You can also find out about all those big
twists you get in films too. Imagine if that had happened just before movies
like The Sixth Sense or Planet of the Apes had come out. If, as
was famously said, the Internet marks the end of privacy, it is equally the
dawn of spoilers.
So is there any proven truth that
spoilers really do weaken the viewing experience? A recent study at VU University in Amsterdam
gave over 400 students a number of stories to read and then rate. Some of them
had spoilers to read beforehand. In the responses those stories that had been
`spoiled` were rated less thought provoking, less moving and less able to draw
the reader into the story. On the other hand there are those who suggest that
spoilers make for a different sort of excitement for the viewer or reader.
Instead of the anticipation as to what might happen, there is anticipation as
to how it will happen. We may know Milo falls off the tower but is it an
accident? Is he pushed and if so by whom? I have watched things where I’d been
spoilered and found it does heighten the experience in one way but lessens it
in other ways. Reading a plot detail in itself provided it doesn’t give almost
a frame by frame exposition of what happens is not going to match seeing it
unfold.
The thing is that you can’t remain
spoiler free for very long. The more time elapses since the first showing or
release the less chance you have of avoiding information. People start talking
about it outside of the platforms you can avoid. Which begs the question of
when it is reasonable to openly discuss plot details either online or in
person. One week? Three weeks? There are after all some people who’ve never
seen Star Wars so basically they could
know as much about it as those who have!
Sometimes too I suppose these spoilers don’t
necessarily reveal the richest parts of the drama. They tend to be big,
melodramatic developments whereas the best productions rely on smaller
character scenes to sustain your interest. Those big moments that get spoilered
don’t always define a drama. Of course in the end once you’ve seen that film or
tv episode you’ve been spoilered for good. Just don’t go shouting about it in
Waitrose will you!
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