In his more recent work as both a writer and
director Mackenzie Crook has drawn vivid portraits set within rural
surroundings. His latest project relocates to the more urban locales of
Manchester with equal success. The story may be surrounded by semi detached
houses, alleyways and large shops but the focus of Crook’s lens and scripts
remains intricate and hopeful. He combines the rich character work and easy
conversation of Detectorists with the whimsical fantasy of Worzel
Gummidge to create something both unique yet strangely familiar.
Michael Sleep is a fifty something man trudging
through life capably yet without really being bothered about his ramshackle
house full of boxes or his job at a DIY superstore; in the latter he passes the
time winding up customers. He visits his elderly father each day perhaps
grateful for the less than clear conversations they are able to have. Or
perhaps just to be amused by the Heath Robinson type machines the old man
builds in the surprisingly spacious care home where he resides. Michael’s world
came to an emotional halt seven years ago when girlfriend Clea vanished without explanation on Xmas Eve,
her abandoned car later found on the Severn Bridge. Why she left he does not
know yet he pins his hopes on the chance that she will return.
In outline this may seem as if it could be a
somewhat bleak offering, full of middle aged remorse and regret yet instead
Crook has created a deft comedic scenario. We don’t really learn too much about
Michael’s past (his claim to have been an underwater welder is soon debunked!)
yet through interactions with fellow shop worker Kacey, a bored early twenty
something always “on a break” we find out more about both of them. When
Michael’s father tells him how to summon
homunculi; mystical creatures who always tell the truth- he sees an
opportunity to find out whether Clea will ever come back.
The introduction of the fantastical side of the
story is gently ushered in- episode one has the hue of a modern comedy drama
with some scenes in the DIY shop being outright funny especially one involving
buckets that made me laugh heartily. As
the series progresses the drama is threaded through yet still leaving space for
laugh out loud moments- one involving Shreddies is a classic. Even with some of
what is ostensibly more serious material is sometimes turned on its head; one
sequence in which it seems Michael will be mugged turns on a sixpence into
something wholly different. This unpredictability helps the show easily fill
its six episodes with a sense of fun and you suspect a second watch would
reveal even more detail.
Small Prophets never falls into the
old cliché of showing older people as totally miserable and hostile towards
younger generations; as well as building the friendship between Michael and
Kacey it draws parallels between two different generations’ as[orations meeting
somewhere n the middle to share each other’s curiosity and mischievousness.
Eager to find out if the tale of these creatures is true, Kacey becomes a willing
participant in the bizarre rituals required to summon them involving a lot of
dung!
In a way it’s a shame that the promotion (even
the trailers) revealed the Homunculi as they can be a bit off putting at first
sight and they never become cute while keeping to their purpose of truthfully
answering questions. Stop motion effects create the unexpected creatures to impressive
effect. In the jars they are weird with contorted faces. The scenario is not
without jump scares; a moment when a spindly hand opens the lid of a jar could
be taken from any horror movie. Both Michael and Kacey have different sorts of
key questions for them though- while he is seeking answers about Clea, Kacey
wants to know if she will ever be in Neighbours!
Both writing and directing, Mackenzie Crook finds
an enviable method which coalesces what is
a strange brew into something rewarding and very entertaining. Should
anyone have trouble believing in magical spirits then the story also includes
strands relating to family issues, valuable books and nosy neighbours all
featuring characters who are just a little bit eccentric in their own way.
Having played a supporting role in Detectorists,
Pearce Quigley gets the lead this time, his bushy white beard and long hair giving
him the look of a wild man yet the script makes Michael identifiable, a
particular type of thwarted middle age drift that he plays so well. Michael is
not a character we are ever supposed to feel sorry for. He isn’t crazy, he just
lives life differently to the norm which is personified by his twitchy
neighbour Clive, amusingly played by Jon Pointing almost like a young, modern
version of the befuddled Basil Fawlty . Lauren Patel is excellent as Kacey
interpreting Crook’s script which takes her from the archetypal surly teenager
to someone with real depth. The chemistry with Quigley is exquisite, full of
laughs and attitude. Michael Palin makes a rare acting foray to give Michael’s father
Brian just the right level of eccentricity required. Paul Kaye is on hand too
initially it seems to play another wholly unpleasant character in the form of
Clea’s weasley brother Roy yet there’s more to him than it seems. Mackenzie
Crook writes himself the unsympathetic goading manager of the DIY store
complete with overlong pony tail.
It’s a real binge watch sort of show that never
settles too long, the only slight criticism I would make is that to create a
climax, the carefully calibrated tone speeds up a bit too much in the last
episode. Some may find the plot too far fetched yet it shows that even without
the bucolic countryside Mackenzie Crook can conjure up fascinating, funny
magic.



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