Season Three Episode 9- Sarcophagus
(1980) Writer: Tanith Lee / Director: Fiona Cumming
The Liberator encounters an unusual craft apparently drifting in space but it seems to have made some telepathic connection to Cally. When she, Avon and Vila bring an object back with them from what seems to be a tomb, they find the Liberator’s power being drained and their lives under threat from an unknown force.
If the plot sounds familiar that’s because it is a fairly standard TV sci-fi one, but it is in the delivery that `Sarcophagus` stands out from the crowd. The mood is set by a wordless six minute opening sequence in which we seem to be seeing some sort of quasi religious ceremony. Figures masked in coloured material appear and disappear, each seemingly representing an aspect of life whether a musician, a warrior, a leader and so on. Most unusual music further heightens the woozy atmosphere though some viewers in 1980 probably wondered what was in their coffee. This atypical beginning is shot on film and director Fiona Cumming uses inventive angles to complete the sense of other worldliness.
(1980) Writer: Tanith Lee / Director: Fiona Cumming
The Liberator encounters an unusual craft apparently drifting in space but it seems to have made some telepathic connection to Cally. When she, Avon and Vila bring an object back with them from what seems to be a tomb, they find the Liberator’s power being drained and their lives under threat from an unknown force.
If the plot sounds familiar that’s because it is a fairly standard TV sci-fi one, but it is in the delivery that `Sarcophagus` stands out from the crowd. The mood is set by a wordless six minute opening sequence in which we seem to be seeing some sort of quasi religious ceremony. Figures masked in coloured material appear and disappear, each seemingly representing an aspect of life whether a musician, a warrior, a leader and so on. Most unusual music further heightens the woozy atmosphere though some viewers in 1980 probably wondered what was in their coffee. This atypical beginning is shot on film and director Fiona Cumming uses inventive angles to complete the sense of other worldliness.
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